Looking with Robert Gardner
- ISBN-10
- 1438460511
- ISBN-13
- 9781438460512
- Category
- Art
- Pages
- 354
- Language
- English
- Published
- 2016-08-01
- Publisher
- SUNY Press
- Authors
- Charles Warren, William Rothman, Rebecca Meyers
Description
Assesses the range and magnitude of Robert Gardners achievements as a filmmaker, photographer, writer, educator, and champion of independent cinema. During his lifetime, Robert Gardner (19252014) was often pigeonholed as an ethnographic filmmaker, then criticized for failing to conform to the genres conventionsconventions he radically challenged. With the release of his groundbreaking film Dead Birds in 1963, Gardner established himself as one of the worlds most extraordinary independent filmmakers, working in a unique border area between ethnography, the essay film, and poetic/experimental cinema. Richly illustrated, Looking with Robert Gardner assesses the range and magnitude of Gardners achievements not only as a filmmaker but also as a still photographer, writer, educator, and champion of independent cinema. The contributors give critical attention to Gardners most ambitious films, such as Dead Birds (1963, New Guinea), Rivers of Sand (1975, Ethiopia), and Forest of Bliss (1986, India), as well as lesser-known films that equally exemplify his mode of seeking anthropological understanding through artistic means. They also attend to his films about artists, including his self-depiction in Still Journey On (2011); to his roots in experimental film and his employment of experimental procedures; and to his support of independent filmmakers through the Harvard Film Study Center and the television series Screening Room, which provided an opportunity for numerous important film and video artists to present and discuss their work. This book is a monumental, fearless, and insightful contribution of critique that looks both with and at Gardners works as a whole. Catherine Summerhayes, author of Google Earth: Outreach and Activism Looking with Robert Gardner introduces new and exciting voices into the dialogue about the renowned ethnographic and documentary filmmaker. The book contains very close readings of many of his films and suggests fresh approaches for analyzing those as well as ethnographic films in general. Ilisa Barbash, coeditor of The Cinema of Robert Gardner
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