Engages in a critical reanalysis of historical Ibero-American experimental poetry in order to demonstrate how the contemporary digital vanguard owes much to this tradition. With a broad geographic and linguistic sweep covering more than one hundred years of poetry, this book investigates the relationships between and among technology, aesthetics, and politics in Ibero-American experimental poetry. Eduardo Ledesma analyzes visual, concrete, kinetic, and digital poetry that questions what the “literary” means, what constitutes poetry, and how, if at all, visual and verbal arts should be differentiated. Radical Poetry examines how poets use the latest technologies (cinematography, radio, television, and software) to create poetry that self-consciously interrogates its own form, through close alliances with conceptual and abstract art, performance, photography, film, and new media. To do so, Ledesma draws on pertinent theories of metaphor, affect, time, space, iconicity, and cybernetics. Ledesma shows how José Juan Tablada (Mexico), Joan Salvat-Papasseit (Catalonia), Clemente Padín (Uruguay), Fernando Millán (Spain), Décio Pignatari (Brazil), Ana María Uribe (Argentina), and others turn words, machines, and, more recently, the digital into flesh, making word-objects “come alive” by assembling text to act and seem human, whether on the page, on walls, or on screens. “This book is extraordinary. It is truly original in its conception and deeply grounded in its knowledge, and it communicates a passion for its topics, especially the digital age. This is a major contribution that surely will be a new model for literary critique in these languages.” — Gwen Kirkpatrick, Georgetown University
In the case of Pound, we read image against image — in what way is the "great bulk" of the citadel like a "thesaurus"? — whereas in the Coolidge poem, ... It is the nature of the charge that has so radically changed. Why, to begin with, ...
"Original French text and English translations of Afro-Creole poetry published in L'Union and La Tribune (Civil War-era New Orleans newspapers established by free people of color), with a scholarly introduction and brief biographies of the ...
This study of poet Robert Burns's politics uncovers the intellectual context of the poet's political radicalism. Burns is revealed as a sophisticated political poet whose work draws on the democratic,...
An anthology of formally inventive writing by trans poets against capital and empire.
On the 250th anniversary of Wordsworth’s birth comes a highly imaginative and vivid portrait of a revolutionary poet who embodied the spirit of his age Published in time for the 250th anniversary of William Wordsworth’s birth, this is ...
Critic Andres Holguin regards this as " el poema de la ausencia , de la agonia y de la desesperanza en la ausencia . ... Shadow refers to darkness : " Una noche / En que ardian en la sombra nuptial y humeda , las luciernagas fantasticas ...
... Jim, 200 Pritchett, V. S., 115 Ransom, John Crowe, 91, 95 Riley, Atsuro, 238–41 Rilke, Rainer Maria, 133, 135, 168 Robinson, Edward G., 27 Robinson, Edwin Arlington, 22 Roethke, Theodore, 86 Roosevelt, Franklin Delano, 27 Rosenthal, ...
Through the voices of ordinary people caught up in the struggle, The Angry Summer graphically illustrates the plight of the miners and their families during the six-month-long miners' strike of...
“Chi fu Cristoforo Colombo,” Il Grido degli Oppressi, June 30, 1892, 1. See also “I delitti della razza bianca” and Razze superiori: imparate!” both in L'Era Nuova, February 20, 1909, 1, and February 27, 1915. 76.
radical poetry for the mind's imagination