Unique empirically grounded analysis of how audiences negotiate sexism and feminism across media, from popular television shows to dating apps. Feminism can reflect the cultural moment, especially as media appropriate and use feminist messaging and agenda to various ends. Yet media can also push boundaries, exposing audiences to ideas they may not be familiar with and advancing public acceptance of concepts once considered taboo. Moreover, audiences are far from passive recipients, especially in the digital age. In Media-Ready Feminism and Everyday Sexism, Andrea L. Press and Francesca Tripodi focus on how audiences across platforms not only consume but also create meanings—sometimes quite transgressive meanings—in engaging with media content. If television shows such as Game of Thrones and Jersey Shore and dating apps such as Tinder are sites of persistent everyday sexism, then so, too, are they sites of what Press and Tripodi call “media-ready feminism.” In developing a sociologically based conception of reception that encompasses media’s progressive potential, as well as the processes of domestication through which audiences and users revert to more limited cultural schemas, Press and Tripodi make a vital contribution to gender and media studies, and help to illuminate the complexity of our current moment. Andrea L. Press is William R. Kenan Jr. Professor of Media Studies and Sociology at the University of Virginia. Her books include The Routledge Handbook of Contemporary Feminism (coedited with Tasha Oren). Francesca Tripodi is Assistant Professor of Information and Library Science and Senior Researcher at the Center for Information Technology and Public Life at the University of North Carolina at Chapel Hill.
The Everyday Sexism Project was founded by writer and activist Laura Bates in April 2012.
This collection features new and original research on the range of sexism still faced every day by women in US society.
This book makes an important return to reception studies at an exciting juncture of media distribution and modes of consumption.
... Lenore: 54 Hess, Elizabeth:44 “heteroflexibility”: 84 Heywood, Leslie: 116 high culture: 1, 5 Hill, Lauryn: 115 hip-hop: 114–115 Hochschild, Arlie: 91 Hollywood: feminist reform of 20; Hays Code 29–30; second wave feminism in 67–75; ...
Joyce is shown as glamorous but uncompromised by her sexuality . Joyce's working - class counterpart , patrol officer Lucy Bates , is equally committed to her work , but both her person and her work role are ...
This book presents a collection of essays that explore how the media represents and constructs gender, law, and feminism.
The Encyclopedia of Gender in Media critically examines the role of the media in enabling, facilitating, or challenging the social construction of gender in our society.
This is modern feminism. This is the fourth wave.
This diverse collection draws together prominent and emerging media scholars to offer readers a much-needed orientation within the wider categories of media, class, and politics in Britain, America, and beyond.
... media in Jordan: Gender, power, resistance. Palgrave Macmillan. https:// doi.org/10.1007/978-981-16-9344-1_4 McCurry ... everyday sexism: How US audiences create meaning across platforms. SUNY Press. ISBN 978-1438481968. Rakow, L. (2022) ...