Text and Drugs and Rock'n'Roll explores the interaction between two of the most powerful socio-cultural movements in the post-war years - the literary forces of the Beat Generation and the musical energies of rock and its attendant culture. Simon Warner examines the interweaving strands, seeded by the poet/novelists Jack Kerouac, Allen Ginsberg, William Burroughs and others in the 1940s and 1950s, and cultivated by most of the major rock figures who emerged after 1960 - Bob Dylan, the Beatles, Bowie, the Clash and Kurt Cobain, to name just a few. This fascinating cultural history delves into a wide range of issues: Was rock culture the natural heir to the activities of the Beats? Were the hippies the Beats of the 1960s? What attitude did the Beat writers have towards musical forms and particularly rock music? How did literary works shape the consciousness of leading rock music-makers and their followers? Why did Beat literature retain its cultural potency with later rock musicians who rejected hippie values? How did rock musicians use the material of Beat literature in their own work? How did Beat figures become embroiled in the process of rock creativity? These questions are addressed through a number of approaches - the influence of drugs, the relevance of politics, the effect of religious and spiritual pursuits, the rise of the counter-culture, the issue of sub-cultures and their construction, and so on. The result is a highly readable history of the innumerable links between two of the most revolutionary artistic movements of the last 60 years.
Text, Drugs & Rock'n Roll: unplugged
Not to mention our parties. Here are stories of unconventional scientists, innovative inquiries, hedonistic impulses -- and how the renegades of science have illuminated the secrets of our baser impulses.
The artrock bands of the sixties took rock out of the dance hall and placed it, literally, in the concert hall. The Clash took itback to the dance hall again – partly by necessity since their audiences have been knownto pogo as many as ...
Out of Our Heads is the Rare Book That is Unafraid to celebrate rock'n' roll's druggy good times-before the uptight killjoys and self-righteous reformists came along and spoiled the party.
A tell-all memoir from the lead singer of the 1980s hair-metal band Ratt reveals all the aspects of rock star excess, including the groupies, the trashed hotel rooms, and the drugs.
This text is a guide to the excesses and scandals that have characterised the music business over the years. The editor reveals many outrageous secrets, spanning an era that had its roots in jazz, and reaches up to the rock stars of today.
... William 132, 251n, 295 Milo of Croton 57 Molenaer,Jan Miense 62 Moller, Herbert 24, 48, 145, 226n, 231n, 253n, 295 Morrison,Jim 17 Mortier, Bianca du 53, 56-57, 62, 230n, 232n, 233n, 234n, 235n, 295, 296 Moryson, Fynes 62, 64, 234n, ...
Their childhoods seem to characterise certain elements that psychologist Carl Rogers identified as being external prerequisites to fostering creativity. Rogers emphasised the importance of 'psychological safety', wherein an individual ...
As the first full-bodied treatment of the American counterculture of the 1960s, Sex, Drugs, and Rock 'n' Roll traces its origins, discusses its most important figures, delves into iconic works, relates its ebb and flow, dissects the ...
He has starred in a wide variety of film, TV and stage roles. Most recently, he created the character of Captain Danny Ross on the long-running series Law & Order: Criminal Intent.