This innovative volume testifies to the current revived interest in Shakespeare's language and style and opens up new and captivating vistas of investigation. Transcending old boundaries between literary and linguistic studies, this engaging collaborative book comes up with an original array of theoretical approaches and new findings. The chapters in the collection capture a rich diversity of points of view and cover such fields as lexicography, versification, dramaturgy, rhetorical analyses, cognitive and computational corpus-based stylistic studies, offering a holistic vision of Shakespeare's uses of language. The perspective is deliberately broad, confronting ideas and visions at the intersection of various techniques of textual investigation. Such novel explorations of Shakespeare's multifarious artistry and amazing inventiveness in his use of language will cater for a broad range of readers, from undergraduates, postgraduates, scholars and researchers, to poetry and theatre lovers alike.
His starting point is the one we have seen, the Lord Marshall's announcement in Richard II: Stay! The King hath thrown his warder down. Groves talks about 'the surprise of the silent initial off-beat – performatively a little like ...
(fim, Chahine) 245–6; homosexuality 594; lesbianism 595; scholarship 594–6; and Shake-speares Sonnets 265, 267, 278–9; ... feminist Shakespearean scholarship 591–3; on film productions 420; gender 590; linguistic scholarship 365, 367, ...
Oncins Martínez, J. L. (2011), 'Shakespeare's sexual language and metaphor: A cognitive-stylistic approach', in M. Ravassat and J. Culpeper (eds), Stylistics and Shakespeare: Transdisciplinary Approaches, 215–45, London: Continuum.
The second and bigger part deals with a principle of Stylistics: Stylistics requires “precision of reference to the text in support of a particular interpretation”, and emphatically not “precision of interpretation” (based on H.G. ...
Throughout the play, that which apparently threatens authority—sexual transgression or deviancy—seems to be produced by it. An apparent crisis in the state is attributed to its deviant population, whose transgressions enable the ...
Stylistics,45 literary linguistics, or literary stylistics – as the application of linguistic theories to ... Stylistics is not only often accused of a non-situational description rather than interpretation of language (Toolan 1992: ...
A recent collection, Stylistics and Shakespeare's Language: Transdisciplinary Approaches (2011), showcases Shakespearean stylistics of a more familiar type, with local studies of the deployment of the expressive tools of language.
... Szilvia Csábi, Lara Week and Judit Zerkowitz Style in the Renaissance, Patricia Canning Stylistic Manipulation of the Reader in Contemporary Fiction, Sandrine Sorlin Stylistics and Shakespeare's Language, Mireille Ravassat Sylvia ...
Stylistics and Shakespeare's Language: Transdisciplinary Approaches (London: Continuum, 2011), 34–57. 50 Thomas Anderson and Scott Crossley, '“Rue with a Difference”: A Computational Stylistic Analysis of the Rhetoric of Suicide in ...
arecent collection, Stylistics and Shakespeare's Language: Transdisciplinary Approaches (2011), showcases Shakespearean stylistics of a more familiar type, with local studies of the deployment of the expressive tools of language.