Politics and Film examines popular movies and television shows as indicators of social and political trends to explore the political culture of the United States. Updated to include the popular and controversial movies and shows American Sniper, House of Cards, Orange Is the New Black, and Twelve Years a Slave, the second edition investigates popular conceptions of government, the military, intelligence and terrorism, punishment and policing, providing valuable insights for students of film and American politics alike.
... 262–65 New Woman, 253–55 New York Times, 70–71, 81, 131, 152, 178, 187, 194, 246, 285 New Yorker, 112, 150 Newman, Alfred, 88 Newman, Paul, 181 News Corporation, 55–56 Nicaragua, 172, 191, 195 Nichols, James, 232 Nichols, Mike, 127, ...
The film, whose title is taken from Murrow's trademark sign-off, dramatizes his confrontation with Senator Joseph McCarthy over what he saw as McCarthy's abuse of power in his investigations of alleged communist infiltration of American ...
In Cinema/Politics/Philosophy, Nico Baumbach revisits the much-maligned tradition of seventies film theory to reconsider: What does it mean to call cinema political?
The Battle of Britain (1943)/The Battle of Russia (1943)/ The Battle of China (1943) The three films chronicling the efforts of the United States' allies up to, and immediately following, American entry into the war are politically ...
... (subject) who wants to become president of the United States (object); yet, in the narrative program of Debra Lassiter (Lynn Whitfield), the campaign manager, he becomes an instrument (the helper) in her effort to win the election.
Cohan (Cagney) evenhas an audience with Roosevelt, who assures him his music propaganda “is as powerful asa cannon,” as America inarches forward into war with apatriotic song. In movies ofthe war years suchas these, ...
Warren Beatty's Bulworth, of which he is both director and star, is in fact an attack on the very obliqueness Primary Colors introduces, on rhetorical vagaries, and on the covert relationships that cosily tie up the representatives, ...
International Politics and Film introduces readers to the representational qualities of film but also draws attention to how the relationship between the visual and the spatial is constitutive of international politics.
As director Peter Hyams told the press, “This is about the biggest action star of the past 20 years putting the gun down and saying the only thing that works is faith.”58 In the midst of his cinematic endeavors, ...
Using individual case studies that begin with The Birth of a Nation and end with O.J.: Made in America, the book introduces how various strands of international politics have been woven through the fabric of cinema by contextualizing each ...