In the last fifty or so years there has been a gradual shift of attention in scholarship on the Nibelungenlied from reconstruction of the texts, and tracings of the poem’s multiple and complex antecedents, to interpretation. In spite of this trend, there is still a pressing need for a critical analysis of the Nibelungenlied as a whole that draws together its various literary qualities and examines in detail the epic’s unity, depth, and meaning. Professor Bekker’s study provides this kind of analysis. It takes a fresh approach, viewing the poem as a work of literary merit worthy to be read for its own sake. It traces the new designs which the poet brings to the Nibelungen tradition and provides detailed examinations of the main aspects of technique and structure in the epic. The approach is based on close consultation of the text, with little digression, in an attempt to guide the reader to an understanding and appreciation of the poem as the author intended it to be read. Professor Bekker points out that the poet of the Nibelungenlied does not aim at psychological character delineation and deliberately refrains from seeking to establish the various prominent figures in the epic as individuals in the modern sense of the term. Instead, they emerge as representative figures whose interrelationships, though interesting, are less important for the unity and meaning of the epic than are their common relationships to the world in which they exist. The question of personal guilt or innocence becomes irrelevant, and Professor Bekker sees the work ultimately as poetic pageant of a noble way of life and its destruction. Symbolism, imagery, parallelism, symmetry, and other structural devices all contribute to the design which expresses the nature of this noble life, and Professor Bekker’s book is a valuable guide to the complex architecture of this thirteenth-century masterpiece.
I owe special thanks to Bruce Martin and Evelyn Timberlake ( at the Library of Congress ) ; Philip Milato and Steve Crook ( at the Berg Collection ) ...
... Alice: “In Search of Our Mothers' Gardens” 157 Warwick Prize for Women in Translation 38 Wertenbaker, Timberlake 21 Wilson, Emily (trans.
HENRY TIMBERLAKE'S CHEROKEE WAR SONG 1. That Timberlake's memoir contains the first English translation of the words of a Native American song seems to have ...
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Thompson , E . in Pollard 1923 . Thompson , J . Shakespeare and the Classics , 1952 . Tillyard , E . Shakespeare ' s History Plays , 1944 . Timberlake , P ...
In The Problem with Pleasure, Frost draws upon a wide variety of materials, linking interwar amusements, such as the talkies, romance novels, the Parisian fragrance Chanel no. 5, and the exotic confection Turkish Delight, to the artistic ...
Similarly, he deplored the picturestories of A. B. Frost in his Stuff and Nonsense ... When he'd eaten eighteen, He turned perfectly green, Upon which he ...
Renew'd by ordure's sympathetic force, As oil'd with magic juices for the course, ... William Frost (1953; reprint, New York: Holt, Rinehart and Winston, ...
D'Albertis, Luigi. New Guinea: What I Did and What I Saw. 2 vols. London: S. Low, Marston, Searle & Rivington, 1881. First published 1880.
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