With essays by an international group of scholars, Questions of Identity in Detective Fiction delves into the ways in which this genre, given its status as popular yet marginalized literature, allows for the exploration of a wide range of meanings. Contributors examine how the genre both mirrors and focuses the personal/sexual/ ethnic/spiritual, how it interfaces with national literatures and histories, and how the generic identity of detective fiction has evolved over time. Chapters include discussions of novels and short stories from American, Argentine, British, Canadian, French, German, and Japanese national literatures, ranging from the mid 19th century to the early 21st century.
This collection of twenty essays by international scholars, examining crime fiction production from over a dozen countries, confirms that a comparative approach can both shed light on processes of adaptation and appropriation of the genre ...
Ed. Adrienne Johnson Gosselin. New York: Garland, 1999. Miyoshi, Masao. “A Borderless World? From Colonialism to Transnationality and the Decline of the Nation-State” Critical Inquiry 19.4 (1993): 726–51. Priestly, Joseph.
The first detective novel is credited to Edgar Allan Poe with his short story “The Murders in Rue Morgue”, written in 1841. Poe is the so-called father of the detective genre.
Bertens, Hans, and Theo D'haen. Contemporary American Crime Fiction. New York: Palgrave, 2001. Bhabha, Homi K. The Location of Culture. New York: Routledge, 1998. Borges, Jorge Luis. “Garden of the Forking Paths.” Trans. Donald A. Yates ...
The distinguishing characteristic of the book is its mix of essays focusing on teaching cultural diversity in the classroom and illustrating diversity through fiction to the general readers."--BOOK JACKET.
Long-forgotten scandals.
Keyes is charged with the murders of Carrie Millicent Gage (88), Sara Pearce (76) and Angela Daphne Kavanagh (80), all of whom lived near to one another in the complex. Mr Anthony Elrod QC, prosecuting, said that Keyes had known ...
P. D. James--one of the most widely admired writers of detective fiction at work today--gives us a personal, lively exploration of the human appetite for mystery and mayhem, and of those writers who have satisfied it.
Much of this argument is indebted to the chapter on race in my Becoming Faulkner (New York: Oxford University Press, 2010). 7. Racial anxiety in the South is of course widely recognized in Faulkner studies.
The conclusion at the end of the paper is supposed then to show to what extent ́City of Glass ́ belongs to postmodern literature and which peculiarities of postmodern writings have been included in this novel.