Liminal Dickens is a collection of essays which cast new light on some surprisingly neglected areas of Dickens’s writings: the rites of passage represented by such transitional moments and ceremonies as birth/christenings, weddings/marriages, and death. Although a great deal of attention has been paid to the family in Dickens’s works, relatively little has been said about his representations of these moments and ceremonies. Similarly, although there have been discussions of Dickens’s religious beliefs, neither his views on death and dying nor his ideas about the afterlife have been analysed in any great detail. Moreover, this collection, arising from a conference on Dickens held in Thessaloniki in 2012, explores how Dickens’s preoccupation with these transitional phases reflects his own liminality and his varying positions regarding some main Victorian concerns, such as religion, social institutions, progress, and modes of writing. The book is composed of four parts: Part One concerns Dickens’s tendency to see birth and death as part of a continuum rather than as entirely separate states; Part Two looks at his unconventional responses to adolescence as a transitional period and to the marriage ceremony as an often unsuccessful rite de passage; Part Three analyses his partial divergence from certain widely held Victorian views about progress, evolution, sanitation, and the provisions made for the poor; and Part Four focuses on two of his novels which are seen as transgressing conventional genre boundaries.
This work explores Dickens’s perception of Italy as it appears in the travel book Pictures from Italy.
The following essay will look at this liminal space and discuss the significance of the Gothic elements in Dickens’ “The Signal-Man”.
... Dickens and Goethe in particular, but also Kleist and Dostoevsky. The novels of Charles Dickens were the most important direct sources of inspiration for Kafka, especially evident in his first novel, Amerika, also known as The Missing ...
It is a brilliant boon to the English teaching community.’ - Mary Myatt Ready to Teach: A Christmas Carol brings together the deep subject knowledge, resources and classroom strategies needed to teach Dickens’s most famous Christmas ...
John Gross and Gabriel Pearson (eds), Dickens and the Twentieth Century (University of Toronto Press, 1962) p. xviii. Blanche Patch, Thirty Years with G.B.S. (London: Victor Gollancz, 1951) p. 157; and Prefaces, p. 162.
Eliot's technique of 'doubleness' is discussed by Steven Matthews in 'T. S. Eliot and Chapman' (see my essay, note 66). ... Perceiving, and Understanding', in T. S. Eliot's Christmas Poems: An Essay in Writing-as-Reading and Other ...
... ruin and the landscape garden had become a stage-set: no great estate was complete without its sham ruins, while garden designers of the time spread the idea to “create your own ruin” (Roth et al. 1997, 5). The vogue of the folly ...
... Liminal Dickens: Rites of Passage in his Work. Other works are “Orientalism” in OUP's Victorian Literature bibliography, “Orientalism in the Victorian Era” in the Oxford Research Encyclopaedia of Literature (both online), and articles ...
The Reception of Charles Dickens in Europe offers a full historical survey of Dickens's reception in all the major European countries and many of the smaller ones, filling a major gap in Dickens scholarship, which has by and large neglected ...
Forsdyke, Sara (2013) “The Impact of Democracy on Communal Life”, The Greek Polis and the Invention of Democracy, eds J. Arnason, K. Raaflaub and P. Wagner. ... Gottesman, Alex (2014) Politics and the Street in Democratic Athens.