The SAGE Handbook of Popular Music provides a highly comprehensive and accessible summary of the key aspects of popular music studies. The text is divided into 10 sections: theory method history global and local media audiences digital rights management technology star system corporations and independents. Each section has been chosen to reflect both established aspects of popular music studies as well as more recently emerging sub-fields. The handbook constitutes a timely and important contribution to popular music studies during a significant period of theoretical and empirical growth and innovation in the field. This is a benchmark work which will be essential reading for educators and students in popular music studies, musicology, cultural studies and cultural sociology.
Because the correspondence of postmodern theory to actual experience is highly questionable, the core of that theory is ... in The Academic Postmodern and the Rule of Literature: A Report on Half-Knowledge (1995), that what has occurred ...
Savage, M., Barlow, J., Dickens, P. and Fielding, A. (1992) Property, Bureaucracy and Culture: Middle-class Formation in Contemporary Britain. London: Routledge. Savage, M., Devine, F., Cunningham, N., Taylor, M., Li, Y., Hjellbrekke, ...
Feagin , Joe R. ( 2001 ) ' Social justice and sociology : Koop , Everett , Pearson , Clarence E. and Schwartz , agendas for the twenty - first century , American M. Roy ( eds ) ( 2001 ) Critical Issues in Global Sociological Review ...
Sheryl Garratt remembered that 'most of us scream ourselves silly at a concert at least once, although many refuse to admit it later ... The contribution of women to popular music – relative to the success of Elvis Presley, The Beatles, ...
Media Studies is here to stay and scholars in the discipline have a vital contribution to make. The SAGE Handbook of Media Studies surveys and evaluates the theories, practices, and future of the field.
Packed with examples, exercises and a glossary, this book provides the reader with the knowledge and skills they need to carry out their own analyses of songs, soundtracks, lyrics and album covers.
International in scope and highly conceptual in its framework, the book shows that music-as-communication is a distinct, pervasive and influential process which deserves serious attention.
Charlick, Robert (2001) 'Human rights and the future of international politics: realism and global humanism', in David Barnhizer (ed.), Effective Strategies for Protecting Human Rights. Aldershot: Ashgate. Chayes, Abram and Chayes, ...
Laing, Dave (1985) One Chord Wonders: Power and Meaning in Punk Rock. Milton Keynes: Open University Press. Laing, Dave (2004a) 'The three Woodstocks and the live music scene', in Andy Bennett (ed.), Remembering Woodstock.
New York, NY: Columbia University Press. Savage, R. W. H. (2010). ... Because of the diversity of its styles, highlife is often appended to terms that describe specific instrumentation or stylistic influence. These include brass band ...