Focusing on early nineteenth-century England?and on the works and texts of the inventor of paper photography, William Henry Fox Talbot?Singular Images, Failed Copies historicizes the conceptualization of photography in that era as part of a major historical change. Treating photography not merely as a medium or a system of representation but also as an epistemology, Vered Maimon challenges today’s prevalent association of the early photograph with the camera obscura. Instead, she points to material, formal, and conceptual differences between those two types of images by considering the philosophical and aesthetic premises linked with early photography. Through this analysis she argues that the emphasis in Talbot’s accounts on the removal of the “artist’s hand” in favor of “the pencil of nature” did not mark a shift from manual to “mechanical” and more accurate or “objective” systems of representation. In Singular Images, Failed Copies, Maimon shows that the perception of the photographic image in the 1830s and 1840s was in fact symptomatic of a crisis in the epistemological framework that had informed philosophical, scientific, and aesthetic thought for two centuries.
... Images for the Masses,” Art Journal 70:4 (Winter 2011): 60–83. Maimon, Vered. Singular Images/Failed Copies, Minneapolis: University of Minnesota Press, 2015. McCandless, Barbara. “The Portrait Studio and the Celebrity,” in Martha ...
“Arthur Gordon Pym and the Novel Narrative of Edgar Allan Poe.” NineteenthCentury Literature 47, no. 3 (1992): 349–361. https://doi.org/10.2307/2933711. Harvey, Ronald C. The Critical History of Edgar Allan Poe's The Narrative of Arthur ...
She is the author of Photography, Temporality, Modernity: Time Warped (2019, Routledge) and Photography, Eugenics, 'Aristogenics': Picturing Privilege (2020, Routledge). She also is the editor and contributor of two chapters to the ...
... Singular Images , Failed Copies : William Henry Fox Talbot and the Early Photograph ( Minneapolis : University of Minnesota Press , 2015 ) . Maimon draws on Jonathan Crary's insistence in Techniques of the Observer : On Vision and ...
... Singular Images , Failed Copies : William Henry Fox Talbot and the Early Photograph ( Minneapolis : University of Minnesota Press , 2015 ) , 89 . 68. Schor , Reading in Detail , 48 . 69. Talbot , Pencil of Nature , plate 3 , " Articles ...
... knowledge about different populations and social groups, and to enable the usage of this knowledge for political and ... Translation and Knowledge Transfer on Alternative Routes of Escape from Nazi Terror: Mediations through Migrations ...
Examines and exhibits the role of photography in enabling and exposing political and social struggles in Israel, the West Bank and the Gaza Strip
... The Rhetoric of Photography in Modern Japanese Literature, 10. 27 David Chandler, “Weightless Light,” in Illuminance, by Rinko Kawauchi (New York: Aperture, 2011), no pagination. 28 Adams, Light Writing & Life Writing, 227. 29 Karen ...
... Singular Images, Failed Copies. William Henry Fox Talbot and the Early Photograph. Minneapolis: University of Minnesota Press. Mallalieu, Hugh. 2005. “Varley the Optician.” In Cornelius Varley. The Art of Observation, edited by Lowell ...
This anthology of essays posits how the question of when photography came to be everywhere shapes our understanding of all manner of photographic media.