Billy Roper has said, "I was born blessedly poor." This simple statement embodies his early hardships and the demons he has battled in a lifetime of struggle to fulfill his dream of being an artist. But being an artist was more than a dream to him; it was a deep and nagging need. In his words, "It was like a hound dog chasin' chickens. I had to draw and paint, but I didn't know how." "Blessedly poor" also speaks of the strength and insight he has gained from his tribulations so that he might conclude, All that stuff that happened down through the years, when I look back on it now, if I was gonna be an artist, that was the price for it. That's how you get to this point--comin' through that--it purifies your soul. If you want to understand somebody else's pain, it is a good idea that you have had one just like it. The pains that I have not experienced are gettin' less and less. The wisdom to see and understand both the positives and negatives of life nurtures the profound lessons and sermons that he pours into imaginative and beautifully conceived paintings, skillful carvings that exude reverence for natural wood, and marble sculptures that approach the classical in theme and design. Susan Wright, a friend and collector, has said to him, "You have always spoken to my soul." Billy Roper's journey from poverty to public acclaim is an inspiring story with lessons for all who seek to live wisely and humanely, and the story is accompanied by thirty-four colorful examples of the work that comprises his artistic vision.
Blue Book of Art Values: Artists & Their Works from Around the World
Peter Jennings and Todd Brewster, The Century (New York: Doubleday, 1998), 154. 8. Time-Life Editors, This Fabulous Century, Vol. IV, 23. 9.
Offers a selection of eighty-seven full-color reproductions of Timberlake's paintings, with an introduction by the painter
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Adelson, Warren, “John Singer Sargent and the 'New Painting,'” in Stanley Olson, Warren Adelson, and Richard Ormond, Sargent at Broadway: The Impressionist ...
This is a rich undiscovered history—a history replete with competing art departments, dynastic scenic families, and origins stretching back to the films of Méliès, Edison, Sennett, Chaplin, and Fairbanks.
Through careful research, Carol Gibson-Wood exposes the mythology surrounding the Morellian method, especially the mythology of the coherence and primacy of his method of attribution. She argues that it “could also be said that Berenson ...
Gibson translates from the Phoenician: “Beware! Behold, there is disaster for you ... !” (SSI 3, no. 5=KAI nr. 2). Examples from Cyprus include SSI 3, no. 12=KAI nr. 30. Gibson's translation of the Phoenician reads (SSI 3, ...
Examines the emergence of abstract organic forms and their assimilation into the popular arts and culture of American life from 1940-1960, covering advertising, decorative arts, commercial design, and the fine arts.
... S. Newman ACCOUNTING Christopher Nobes ADAM SMITH Christopher J. Berry ADOLESCENCE Peter K. Smith ADVERTISING ... ALGEBRA Peter M. Higgins AMERICAN CULTURAL HISTORY Eric Avila AMERICAN HISTORY Paul S. Boyer AMERICAN IMMIGRATION ...