This chilling passage is from Ellen McLaughlin's new adaptation of The Persians by Aeschylus, the earliest surviving play in Western literature, an elegy for a fallen civi-lization and a warning to its new conqueror. As Margo Jefferson wrote in the New York Times, ''the play is a true classic: we see the present and the future right there, inside the past. And when writers give us a 'new version' (a translation or adaptation) of a classic, they both serve and use it. They serve the playwright's gifts by refusing to simplify. But they can't just imitate. Every age has its own rhythms and drives. The classic must make us feel the new acutely. Ellen McLaughlin serves and uses The Persians with true power and grace.''
This outstanding collection also offers short biographies of the playwrights, enlightening and clarifying introductions to the plays, and helpful annotations at the bottom of each page.
Focusing on just the main figure will not tell us the whole story. Notes. 1. All bible quotations are from the King James Authorized Version. 2. Thomas à Kempis, (1380-1471). The Imitation of Christ. 3.
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Page took exception to Baraka's sarcastic tone: he really did it when he referred to the effusive Art Blakey as "Massa Blakey" If I were Art I'd have to speak to him about that. Or better yet, I'd give him a nice fat shunk in his ...