The text of the play included here, prepared by Craig Walker for The Broadview Anthology of British Literature, has been acclaimed for its outstanding introductory material and annotations, and for its inclusion of parellel text versions of key scenes for which the texts of the Quarto and the Folio versions of the play are substantially different. Also included in this edition are excerpts from a variety of literary source materials (including Geoffrey on Monmouth’s Historia Regum Britanniae, the anonymous True Chronicle Historie of King Leir, and Samuel Harsnett’s A Declaration of Egregious Popish Impostures); material on the historical Annesley case that raised many of the same issues as does Shakespeare’s play; and the happy ending from Nahum Tate’s version of the play, which held the stage for 150 years after its first performance in 1681.
But there is a dark magnificence to Shakespeare's original vision of the Lear story, and the play is performed today essentially as he wrote it, uncompromised by later "improvements.
This Norton Critical Edition is based on the Folio text of King Lear (carefully corrected prior to its printing in 1623).
King Lear is a tragedy by William Shakespeare.
Newly revised, this edition of "King Lear" features an extensive overview of Shakespeare's life and world; an editor's introduction; a note on the sources; dramatic criticism from the past and...
If you have struggled in the past reading Shakespeare, then BookCaps can help you out. This book is a modern translation of King Lear. The original text is also presented in the book, along with a comparable version of both text.
Shakespeare's 'King Lear' with 'The Tempest' is Mark McDonald's inquiry into the political philosophy of William Shakespeare through a reading of King Lear with reference to The Tempest.
For this second edition of King Lear, Jay L. Halio has added a new introductory section that focuses on recent developments in scholarly criticism as well as on contemporary productions of the play.
The two-text theory hardened into orthodoxy. Here Sir Brian Vickers makes the case that Shakespeare did not cut his original text. At stake is the way his greatest play is read and performed.
This volume brings together nine essays on King Lear by distinguished scholars, all of which were first published in Shakespeare Survey, the leading journal devoted to Shakespeare studies.
This book is an up-to-date and comprehensive anthology of textual scholarship, performance research, and critical writing on one of Shakespeare's most important and perplexing tragedies.