Among the nearly 90,000 Cubans who settled in New York City and Miami in the 1940s and 1950s were numerous musicians and entertainers, black and white, who did more than fill dance halls with the rhythms of the rumba, mambo, and cha cha cha. In her history of music and race in midcentury America, Christina D. Abreu argues that these musicians, through their work in music festivals, nightclubs, social clubs, and television and film productions, played central roles in the development of Cuban, Afro-Cuban, Latino, and Afro-Latino identities and communities. Abreu draws from previously untapped oral histories, cultural materials, and Spanish-language media to uncover the lives and broader social and cultural significance of these vibrant performers. Keeping in view the wider context of the domestic and international entertainment industries, Abreu underscores how the racially diverse musicians in her study were also migrants and laborers. Her focus on the Cuban presence in New York City and Miami before the Cuban Revolution of 1959 offers a much needed critique of the post-1959 bias in Cuban American studies as well as insights into important connections between Cuban migration and other twentieth-century Latino migrations.
In this book, Jon Michael Spencer argues that African rhythm, particularly African rhythm in the New World, gives rise to the distinctive qualities of black cultures. These rhythms especially undergird...
; This book is intended for american studies, American history postwar social and cultural history, political history, Black history, Race and Ethnic studies and Cultural studies together with the general trade music.
Pearlman , Daniel D. The Barb of Time : On the Unity of Ezra Pound's Cantos . New York : Oxford University Press , 1969 . Perris , Arnold . Music and Propaganda . Westview , Conn .: Greenwood Press , 1985 . Perloff , Marjorie .
The 50-acre park did not charge an admission fee, advertising that the nickel street car fare was all that was required to attend. In 1915, the Park was totally refurbished, including the installation of a Ferris wheel that was ...
Different Drummers provides profound insights into the importance of rhythm as a marker of resistance and a dynamic facet of everyday life across Caribbean literatures and in African American music.
Here is over 100 years of the city's famed musical development -- blues, jazz and rock -- placed in the context of its civil rights movement and its political and ecomomic power.
King Curtis' “Memphis soul stew”, and Arthur Conley's “Sweet soul music”. Conley's “Sweet soul music”, with its roll-call of distinguished soulmen, typified a trend among black singers to refer approvingly to other black artists in ...
From Saturday Night Rockin’ to Sunday Morning Reconciliation Before becoming a pastor, Jimi Calhoun performed alongside many world-famous musicians, including: Jimi Hendrix / Etta James / Hank Williams Jr. / John Lennon / Elton John / ...
Brown Lorraine Brown. Interview with Eubie Blake, Jan. 9, 1977, in Brooklyn, NY, for the Research ... Carl Seltzer Collection, NYPL Performing Arts Division, *LDC 36349. Also Library of Congress, LWB1511 A1; transcribed by authors.
The Rhythm Boys of Omaha Central tells a true story about high school basketball, black awakening and rebellion, and innocence lost in a watershed year.