"One method of American territory expansion in the U.S.-Mexico borderlands was the denial of property rights to Mexican land owners. Many historical accounts overlook this colonial impact on Indigenous and Mexican peoples, and what existing studies do tackle this subject tend to privilege the male experience. In Archives of Dispossession, Karen Roybal recenters the focus of land dispossession on women, arguing that gender, sometimes more than race, dictated legal concepts of property ownership and individual autonomy. Drawing on a diverse source base - legal land records, personal letters, and literary works - Roybal reveals voices of Mexican women in the Southwest and how they fought against the erasure of their rights, both as women and as Indigenous landowners. Woven throughout Roybal's analysis are these women's testimonies - their stories focusing on inheritance, property rights, and sovereignty. Roybal positions these testimonios as an alternate archive that illustrates the myriad ways in which multiple layers of dispossession - and the changes of property ownership in Mexican law - affected the formation of Mexicana identity"--
See Bernstein, Bridges of Reform, 169. As historian Vicki Ruiz notes, higher education numbers for Mexican Americans in the Southwest were not appreciably better in 1970 or 1980. See Ruiz, “And Miles to G0.” Iohnson, “Constellations 0f ...
In The Women of La Raza, Enriqueta Vasquez brings together her long-time political commitments with her marvelous sense of curiosity and wonder to trace the contributions of women in Mexican and Mexican American history through the ...
And while Alice had a difficult but rich life, a life full of love, Catherine's is singularly empty. Ghosts of the Heart is a tale of a Hispanic woman driven to succeed in America, who loses all that is precious to her.
Scholars contributing to this volume consider topics ranging from the effects of the Mexican Revolution on Tejano and African American communities to its impact on Texas' economy and agriculture.
"This critical edition of Borderlands/La Frontera, Gloria Anzaldúa's foundational work for Chicanx/Latinx studies, gender and sexuality studies, and border studies, includes a preface by Norma Elia Cantú, a critical introduction by ...
What emerges from the book is a portrait of a distinctive culture in America that has slowly gathered strength in the last 95 years.
Women on the U.S.-Mexico Border: Responses to Change
Shooting from the Wild Zone: A Study of the Chicana Art Photographers Laura Aguilar, Celia Álvarez Muñoz, Delilah Montoya, and...