The career of Constance Rourke (1885-1941) is one of the richest examples of the American writer's search for a "usable past." In this first full-length study of Rourke, Joan Shelley Rubin establishes the context for Rourke's defense of American culture -- the controversies that engaged her, the books that influenced her thinking, the premises that lay beneath her vocabulary. With the aid of Rourke's unpublished papers, the author explores her responses to issues that were compelling for her generation of intellectuals: the critique of America as materialistic and provincial; the demand for native traditions in the arts; the modern understanding of the nature of culture and myth; and the question of a critic's role in a democracy. Rourke's writings demonstrate that America did not suffer, as Van Wyck Brooks and others had maintained, from a damaging split between "high-brow" and "low-brow" but was rather a rich, unified culture in which the arts could thrive. Her classic American Humor (1931) and her biographies of Lotta Crabtree, Davy Crockett, Audubon, and Charles Sheeler celebrate the American as mythmaker. To foster what she called the "possession" of the national heritage, she used an evocative prose style accessible to a wide audience and depicted the frontier in more abstract terms than did other contempoaray scholars. Her commitment to social reform, acquired in her youth and strengthened at Vassar in the Progressive era, informed her sense of the function of criticism and guided her political activites in the 1930s. Drawing together Rourke's varied discussions of popular heroes, comic lore, literature, and art, Rubin illuminates the delicate balances and sometimes contradictory arguments underlying Rourke's description of America's cultural patterns. She also analyzes the way Rourke's encounters with the ideas of Van Wyck Brooks, Ruth Benedict, Jane Harrison, Bernard DeVoto, and Lewis Mumford shaped her view of America's achievements and possibilities. Rourke emerges not simply as a follower of Brooks or as a colleague of De Voto, nor even as an antiquarian or folklorist. Rather, she assumes her own unique and proper place -- as a pioneer who, more than anyone else of her day, boldly and eloquently showed Americans that they had the resources necessary for the future of both art and society. By placing Constance Rourke within the framework of a debate about the nature of American culture, the author makes a notable contribution to American intellectual history. Originally published in 1980. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
In the same fashion American literature in this primary phase was for the most part unconcerned with closely drawn individuals or a stable group , though it often turned toward legendary characters . Improvisation had been abundant on ...
Constance M. Rourke
Blending myth and reality, Constance Rourke aimed to get at the heart of Davy Crockett, whose hold on the American imagination was firm even before he died at the Alamo.
The proliferation of book clubs, reading groups, "outline" volumes, and new forms of book reviewing in the first half of the twentieth century influenced the tastes and pastimes of millions of Americans.
39 In effect, Shearer was criticizing Dewey's intellectual emphasis on social problems, social injustice, and class distinctions. In his attempt to make meaning perfectly productive, she argued, Dewey had made it perfectly mechanical.
Lawrence W. Levine, Highbrow/Lowbrow: The Emergence of Cultural Hierarchy in America (Cambridge, Mass., 1988), ch. 1. 8. ... 7, “The Disciplining of Spectatorship.” 11. Mark Hodin, “Class,
Essays discuss the nature of Americanism, education and ideas of culture in the U.S., American qualities in architecture, industrial design, and advertising, and the future First published in 1961, 'The Beer Can by the Highway' takes a ...
In this innovative study, Gene Bluestein proposes that we revise our ideas about the meaning of folklore in the United States, beginning with our definition of what is "folk" and...
The tribute volume Albert Murray and the Aesthetic Imagination of a Nation (Tuscaloosa: A Pebble Hill Book/University of Alabama Press, 2010), edited by Barbara A. Baker, collects critical essays, biographical articles, interviews, ...
Beautifully illustrated with both the original watercolor depictions and contemporary, art-quality photographs of the works, this book is a lavish exploration of the Commonwealth's distinctive contribution to American culture and modern ...