This book challenges traditional approaches to heritage interpretation and offers an alternative theoretical architecture to the current research and practice. Russell Staiff suggests that the dialogue between visitors and heritage places has been too focused on learning outcomes, and so heritage interpretation has become dominated by psychology and educational theory, and over-reliant on outdated thinking. Using his background as an art historian and experience teaching heritage and tourism courses, Russell Staiff weaves personal observation with theory in an engaging and lively way. He recognizes that the 'digital revolution' has changed forever the way that people interact with their environment and that a new approach is needed.
(1993) 'Useful culture' in V. Blundell, J. Shepherd and I. Taylor (eds) Relocating Cultural Studies – Developments in Theory and Research, London: Routledge: 67–85. —— (1994) 'The Multiplication of Culture's Utility: The Art Gallery ...
This is the starting point for Heritage and Tourism .
This book explains how designing, playing and modifying computer games, and understanding the theory behind them, can strengthen the area of digital humanities.
This book advances critical insights of how socially practised public arts articulate and cultivate geographies of social difference through the themes of power (the politics of encountering), affect (the embodied ways of encountering), and ...
การสื่อความหมายในการอนุรักษ์ จากสถาปัตยกรรมสู่มรดกชุมชน: Proceedings of International Symposium 2007 On "Interpretation from Monument to Living Heritage" and 2nd ICOMOS Thailand General Assembly,...
In Museum Bodies Helen Rees Leahy discusses the politics and practice of visitor studies, and the differentiation and exclusion of certain bodies on the basis of, for example, age, gender, educational attainment, ethnicity and disability.
Gugler's interpretation considers the financial and technical difficulties of African film production, the intended audiences in Africa and the West, the constraints on distribution, and the critical reception of the films.
"This book had its origins in a conference I organized at the University of Birmingham in June 2011 and represents a selection of the papers presented there" -- Page v.
The Political Economy of Idols: South Korea's Neoliberal Restructuring and Its Impact on the Entertainment Labour Force. In K-pop—The International Rise of the Korean Music Industry, ed. Roald Maliangkay and JungBong Choi, 51–65.
International, multi-disciplinary perspectives on the key question of community engagement in theory and practice in a diverse range of heritage settings.