The four centuries between the composition of the Homeric epics and the conquests of Alexander the Great witnessed an immensely creative period in Greek art, one full of experimentation and innovation. But time has taken its toll; damaged statues have lost their colour and wall paintings have been totally destroyed. And yet sympathetic study of surviving sculpture and of drawing on vases can give extraordinary insight into and appreciation of these once brilliant works This book, designed originally for students, introduces the reader to Greek sculpture and vase painting in the critical period from the eighth to the fourth centuries BC. The works discussed are generously illustrated and lucidly analysed to give a vivid picture of the splendor of Greek art. The up-dated second edition includes a new chapter examining art in Greek society, a timeline to help relate artistic development to historical events, an explanation of how dates BC are arrived at, a brief overview of Greek temple plans and a further reading list of recent books. This clear, approachable and rigorous introduction makes the beauty of Greek art more readily accessible and comprehensible, balancing description with interpretation and illustration, and is an invaluable tool to help develop insight, appreciation and comprehension.
American Journal of Archaeology 112, 581–616. Stewart, A. F. 2008c. Classical Greece and the Birth of Western Art. Cambridge/New York: Cambridge University Press. Thucydides. The History of the Peloponnesian War, tr. Richard Crawley.
The development of Greek sculpture, architecture, and painting during the Classical period is examined within a social and cultural context
replaced on some oinochoai by a series of horizontal bands; animals are hastily drawn and are often, ... the same vessels friezes in the Wild Goat technique and others in a Corinthianizing black-figure technique (but on a white slip).
Explores the art of ancient Greece and its relationship to the world in which it was produced.
In a major revisionary approach to ancient Greek culture, Sarah Morris invokes as a paradigm the myths surrounding Daidalos to describe the profound influence of the Near East on Greece's artistic and literary origins.
This Companion volume's comprehensive coverage makes it ideal reading for students of Greek mythology and for anyone interested in the myths of the ancient Greeks and their impact on western tradition.
They reflected - and projected - essential cultural values, whether they were intended for religious sanctuaries for aristocratic drinking parties, civic squares or tombs."--BOOK JACKET.
Extensively illustrated and clearly written, this book examines the major categories of Greek architecture, sculpture, vasepainting, wallpainting, and metalwork in a historical, social, and archaeological context. It blends factual information...
Suitable for students with no prior knowledge of ancient art, this textbook reviews the main objects and monuments of the ancient Greek world, emphasizing the context and function of these artefacts in their particular place and time.
2, La région nord du sanctuaire, de l'époque archaïque à la fin du sanctuaire (Paris 1960). ... Richter, Catalogue—Richter, G. M. A., Catalogue of Greek Sculptures (Metropolitan Museum of Art) (Cambridge, MA, 1954).