What exactly is “modernism”? And how and why has its definition changed over time? Modernism: Evolution of an Idea is the first book to trace the development of the term “modernism” from cultural debates in the early twentieth century to the dynamic contemporary field of modernist studies. Rather than assuming and recounting the contributions of modernism's chief literary and artistic figures, this book focuses on critical formulations and reception through topics such as: - The evolution of “modernism” from a pejorative term in intellectual arguments, through its condemnation by Pope Pius X in 1907, and on to its subsequent centrality to definitions of new art by T. S. Eliot, Laura Riding and Robert Graves, F. R. Leavis, Edmund Wilson, and Clement Greenberg - New Criticism and its legacies in the formation of the modernist canon in anthologies, classrooms, and literary histories - The shifting conceptions of modernism during the rise of gender and race studies, French theory, Marxist criticism, postmodernism, and more - The New Modernist Studies and its contemporary engagements with the politics, institutions, and many cultures of modernism internationally With a glossary of key terms and movements and a capacious critical bibliography, this is an essential survey for students and scholars working in modernist studies at all levels.
Julian Symons, who himself made wide use of such devices, curiously takes Sayers to task precisely because her work seems to him “long-winded and ludicrously snobbish,” depending for its success almost exclusively on an appeal to the ...
Following networks of American and Spanish writers, translators, and movements, Gayle Rogers uncovers the arguments that forged the politics and aesthetics of modernism.
The 2007 exhibition Graphic Modernism from the Baltic to the Balkans, 1910–1935 drew on the more than 50,000 books in NYPL's Slavonic division and exemplifies how this shortcoming has been addressed by 'the acquisition of important ...
12 Friedman, Planetary Modernisms, ix. 13 Friedman, Planetary Modernisms, 190. 14 Immanuel Wallerstein, World-Systems Analysis: An Introduction (Durham, NC: Duke University Press, 2004): 24. 15 Warwick Research Collective, Combined and ...
9 The editors of Modernism: Evolution of an Idea trace this movement back to at least 1922, and perhaps further back than that, when Pound writes to Eliot that The Waste Land “is I think the justification of a 'movement,' of our modern ...
See also the many studies of color and sound in Charles Féré, Sensation et mouvement: Études expérimentales de psycho-mécanique (Paris: F. Alcan, 1887), 36–48. For this work Brown-Séquard won the prestigious Lallemand Prize of the ...
governed by a principle of possibility—the ideologically soiled or imprecise everyday language (the language of the masses) can be transformed in the literary work to capture the experience of modernity, and to provide a critique of ...
Tagores and Virginia Woolf (Friedman, Planetary Modernisms, pp. 215–82). For other transnational comparative methodologies in Modernist Studies, see, for example, Berman and Christopher GoGwilt, Passage of Literature. 15.
because for him, poetry was to subsume all other genres, which led to the idea of literature as a modern “absolute. ... However, as Sean Latham and Gayle Rogers have shown in their excellent book, Modernism: Evolution of an Idea ...
Those interested in tracing the evolution of modernism as a concept and field should consult Sean Latham and Gayle Rogers's Modernism: Evolution of an Idea (London: Bloomsbury Academic, 2015). Maria DiBattista, “Introduction,” in High ...