Contemporary Women Stage Directors opens the door into the minds of 27 prolific female theatre directors, allowing you to explore their experience, wisdom and knowledge. Directors give insight into their diverse approaches to the key challenges of directing theatre, including choosing projects, engaging with scripts, conceptualizing visual and acoustic production elements, collaborating with actors and production teams, building their careers, and navigating challenges and opportunities posed by gender, race and ethnicity. The directors featured include Maria Aberg, May Adrales, Sarah Benson, Karin Coonrod, Rachel Chavkin, Lear deBessonet, Nadia Fall, Vicky Featherstone, Polly Findlay, Leah Gardiner, Anne Kauffman, Lucy Kerbel, Young Jean Lee, Patricia McGregor, Blanche McIntyre, Paulette Randall, Diane Rodriguez, Indhu Rubasingham, KJ Sanchez, Tina Satter, Kimberly Senior, Roxana Silbert, Leigh Silverman, Caroline Steinbeis, Liesl Tommy, Lyndsey Turner, and Erica Whyman. These women are making profoundly exciting theatre in some of the most influential organizations across the English-speaking world-from Broadway to the West End, from the National Theatre in London to Center Theatre Group in Los Angeles. As generally mid-career professionals, they are informed by both their hard-earned expertise and their forward-looking energy. They offer astute observations about the current state of the art form, as well as inspiring visions of what theatre can accomplish in the decades to come.
I don't mean simply physically, it's just to be an ugly person. So, I think the collaborative instinct could be interpreted as manipulative to some extent, but it comes from a life of wanting to share, an apparent sharing of authority.
Good luck” (1972, 379). Sources Barranger, Milly S. 1994. Margaret Webster: A Bio-Bibliography. Westport, Conn.: Greenwood. ———. 2004. Margaret Webster: A Life in the Theater. Ann Arbor: University of Michigan Press. Brown, John Mason.
George, “Ms. Carroll Brings Black Richness to the Nelson. Stage,” New York Amsterdam News, March 5, 1977, D9. Gussow, Mel.“The Year's Best:Stage View; Civilization andSavagery Collide in Metaphor.” NewYork Times, December24, 1989, ...
Following the careers and approaches of 14 female theatre directors, this book describes how they strove for success in what was once a male preserve. They discuss their working methods...
Based on interviews with successful female performers, writers, directors, choreographers and executives, this book offers a unique female viewpoint on musical theater today.
Based on interviews with successful female performers, writers, directors, choreographers and executives, this book offers a unique female viewpoint on musical theater today.
"This book examines the radical change women underwent - and facilitated - from 1880 to 1927, by looking at five case studies of feminist performance: suffragist parades; feminist drama groups; the Gamut Club; the Provincetown Players; the ...
This volume assesses the contributions of David Belasco, Arthur Hopkins, and Margaret Webster, whose careers shaped the artistic and specialist identity of the Broadway director.
The first scholarly collection to discuss the intersection of feminism and dramatic theory
6 ELIZABETH ROBINS : HYSTERIA , POLITICS AND PERFORMANCE Joanna Townsend Now , I ask you to listen , as quietly as you can , to a lady who is not accustomed to speaking - a - in Trafalgar Square – or a ... as a matter of fact , at all .