Analysing films by established directors such as Sokurov and Zel'dovich, as well as lesser-known filmmakers like Balabanov and Kalatozishvili, this book explores the particular style of film presentation that has emerged in Russia since 2000, characterised by its use of highly abstract concepts and visual language.
Analysing films by established directors such as Sokurov and Zel'dovich, as well as lesser-known filmmakers like Balabanov and Kalatozishvili, this book explores the particular style of film presentation that has emerged in Russia since ...
This book, based on extensive original research, examines how far the collapse of the Soviet Union represented a threshold that initiated change or whether there are continuities which gradually reshaped cinema in the new Russia.
Cinemasaurus examines contemporary Russian cinema as a new visual economy, emerging over three decades after the Soviet collapse.
This is the first book to deal exclusively with Russian cinema of the 1990s.
She turns to the instance of contemporary cinema to focus this line of inquiry. This book centres on the work of Russia's internationally ranked auteurs of the late Soviet and post-Soviet period.
The twenty-one essays on individual films provide background information on directors' careers, detailed analyses of selected films, along with suggested further readings both in English and Russian.
Annotation This readable and informative book examines contemporary Russian cinema, offering close studies of works directed by Sokurov, Muratova, Astrakhan and many more, and showing how film-makers are debunking Soviet mythologies.
In the final three chapters, Ukrainian Cinema looks at the major works of film-makers Yurii Illienko, Leonid Osyka, and Leonid Bykov, among others, who attempted (and were compelled) to bridge the growing gap between a cinema of auteurs and ...
Since the fall of Communism, Russians have struggled to reconcile their social traditions with a flood of Western cultural imports. Contemporary Russian cinema has latched on to the resulting confusion...
TOWARDS THE INTERMEDIALISATION OF THE DIGITAL MONOCHROME Black-and-white cinema is obviously not merely black and white, ... detect more shades of gray in a black-and-white photograph than shades of color in a color image.