Although horror shows on television are popular in the 1990s thanks to the success of Chris Carter’s The X-Files, such has not always been the case. Creators Rod Serling, Dan Curtis, William Castle, Quinn Martin, John Newland, George Romero, Stephen King, David Lynch, Wes Craven, Sam Raimi, Aaron Spelling and others have toiled to bring the horror genre to American living rooms for years. This large-scale reference book documents an entire genre, from the dawn of modern horror television with the watershed Serling anthology, Night Gallery (1970), a show lensed in color and featuring more graphic makeup and violence than ever before seen on the tube, through more than 30 programs, including those of the 1998-1999 season. Complete histories, critical reception, episode guides, cast, crew and guest star information, as well as series reviews are included, along with footnotes, a lengthy bibliography and an in-depth index. From Kolchak: The Night Stalker to Millennium, from The Evil Touch to Buffy the Vampire Slayer and Twin Peaks, Terror Television is a detailed reference guide to three decades of frightening television programs, both memorable and obscure.
Conventional research suggests that news coverage of terrorism is a tool of the terrorist to gain public support and recognition. Based on an analysis of more than 200 evening newscasts...
The starving Indian and the dying Hood were alone when Richardson, off scraping lichen from the rocks, had heard the shot. Suicide, Teroahaute had insisted, but Dr. Richardson, who had attended on more than a few suicides, knew that the ...
This book marks the first comprehensive survey and analysis of War on Terror themes in post-9/11 American television, critiquing those shows that—either blindly or intentionally—supported the Bush administration's security policies.
Television As An instrument of Terror
Ellis, Visible Fictions, 112. T. Miller, 144. See endnote 2 for a comprehensive list of studies which discuss how television and film depict surveillance. Ellis, Visible Fictions, 137. See especially the chapter “Panopticism” in Michel ...
This book explores the ways in which television has engaged directly and indirectly with the new realities of the post-9/11 world.
terror events and discourses – and counter-discourses. In this way, it is not an exaggeration to state that the medium has become 'weaponised'. Television is not merely an instrument of war but an actual constituent of terrorism today.
“the American Horror Story Finale: ryan Murphy tells Us who's Coming Back for Season 2.” TV Guide. tV Guide, 22 December 2011. web. 2 november 2015. “afterbirth.” American Horror Story: The Complete First Season. writ. Jessica Sharzer.
For a good survey of qualitative approaches see Thomas R. Lindlof and Bryan C. Taylor , Qualitative Communication Research Methods , 2nd ed . ( London : Sage , 2002 ) . 7. The general semiotic and intertextual comprehension of the ...
This collection, therefore, explores both the cultural landscape of this recent phenomenon and the reasons for these television series’ wide appeal, focusing on televisual aesthetics, technological novelties, the role of adaptation and ...