Horror comics were among the first comic books published—ghastly tales that soon developed an avid young readership, along with a bad reputation. Parent groups, psychologists, even the United States government joined in a crusade to wipe out the horror comics industry—and they almost succeeded. Yet the genre survived and flourished, from the 1950s to today. This history covers the tribulations endured by horror comics creators and the broader impact on the comics industry. The genre’s ultimate success helped launch the careers of many of the biggest names in comics. Their stories and the stories of other key players are included, along with a few surprises.
Thing by Steve Gerber: The Complete Collection, Volume 2. Marvel, 2016, pp. 104–137. ____, John Buscema (p), Klaus Janson (i), Glynis Wein (c) and John Costanza (l). “Song-Cry of the Living Dead Man!” Man-Thing #12 (December 1974).
Censored out of existence by Congress in the 1950s, rare comic book images--many of which have been rarely seen since they were first issued--are now revealed once again in all of their eye-popping inventive outrageousness. Original.
... such as Bart Beaty's Fredric Wertham and the Critique of Mass Culture (2005), and Mark Evanier's titular essay in the collection Wertham Was Right! (2003). Both seek to reassess Wertham's position and ideals, reinterpreting these in ...
Bringing together the finest names in comic book horror, this volume features nearly 50 comics that caused a furor in the US and sparked legislation to crack down on explicit horror—from the 1940s to the 21st century.
'Tusks of Terror', which appeared in Voodoo #10 (1953), for example, is a story set in 'Kipling's India' and concerns an interracial romance.25 The villain of the story is Colonel Rankin, a white Englishman who first appears overseeing ...
Bomber Comics, no. 1, Elliot Publishing Co., March 1944. Boy Comics, no. 9, Comic House Inc., April 1943. Captain Aero Comics 3, no. 11, Et-Es-Go Magazines Inc., January 1944. Captain America Comics, no. 66, Timely Comics, April 1948.
Society found a scapegoat in the comic book, and while not completely destroyed, the medium would never fully recover from the events during that decade.
Birdie, her sister, their pregnant mother, and their sickly father all live together on a struggling farm.
A GOOD HORROR COMIC NEVER DIES: HOW SURVIVAL IS MORE HORRIBLE THAN ZOMBIES Arguably much more significant to Kirkman's early career would be The Walking Dead, a series proposal nearly rejected because zombies were then considered a ...
Hellboy. Vol. 9, The Wild Hunt. Milwaukie, OR: Dark Horse, 2010. Mignola, Mike, with Jason Shawn Alexander, Richard Corben, Joshua Dysart, and Duncan Fegredo. Hellboy. Vol. 10, The Crooked Man and Others.