Holocaust movies have become an important segment of world cinema and the de-facto Holocaust education for many. One quarter of all American-produced Holocaust-related feature films have won or been nominated for at least one Oscar. In fact, from 1945 through 1991, half of all American Holocaust features were nominated. Yet most Holocaust movies have fallen through the cracks and few have been commercially successful. This book explores these trends--and many others--with a comprehensive guide to hundreds of films and made-for-television movies. From Anne Frank to Schindler's List to Jojo Rabbit, more than 400 films are examined from a range of perspectives--historical, chronological, thematic, sociological, geographical and individual. The filmmakers are contextualized, including Charlie Chaplin, Sidney Lumet, Steven Spielberg and Roman Polanski. Recommendations and reviews of the 50 best Holocaust films are included, along with an educational guide, a detailed listing of all films covered and a four-part index-glossary.
A similar film attributed to Billy Wilder, Death Mills (1945), was also made the same year and was intended to be shown to the German people.32 As the opening title card indicates, the film was not intended for the American public, ...
Jeremy Hicks recovers much of the major film work in Soviet depictions of the Holocaust and views them within their political context, both locally and internationally.
Contemporary Holocaust cinema exists at the intersection of national cultural traditions, aesthetic conventions, and the inner logic of popular forms of entertainment.
Marina Davydova, “Nichia bez Pravil,” Izvestia, February 11, 2010; Grigorii Zaslavskii, “Bez slez, bez Sozhalenia,” Nezavisimaia Gazeta, February 15, 2010; Roman Dolzhanskii, “Kholodnyi Pat.” Kommersant, February 11, 2010. 29.
This work offers insights into how specific films influenced the Americanization of the Holocaust and how the medium per se helped seed that event into the public consciousness.
This book is the first to address the representation of the Holocaust in Polish film and does so through a detailed treatment of several films, which the author frames in relation to the political, ideological, and cultural contexts of the ...
Lending particular attention to four exemplary Holocaust “art” films (Korczak [Poland, 1990], The Quarrel [Canada, 1990], Entre Nous [France, 1983], and Balagan [Germany, 1994]), this book breaks disciplinary ground by drawing critical ...
... on The Wooden Gun , only provide a list of names for the boy actors — with the exception of Arik Rosen . The list includes : Nadav Brenner , Nissim Eliaz , Nir Barzel , Anatol Kotkes , Uri Darzi , Moshe Eisenberg , Yariv Rubinstein ...
Based on an event held at the Imperial War Museum in 2001, this book is a blend of voices and perspectives - archivists, curators, filmmakers, scholars, and Holocaust survivors.
This book offers a unique perspective on contemporary Polish cinema’s engagement with histories of Polish violence against their Jewish neighbours during the Holocaust.