A phenomenal account, newly updated, of how twelve innovative television dramas transformed the medium and the culture at large, featuring Sepinwall’s take on the finales of Mad Men and Breaking Bad. In The Revolution Was Televised, celebrated TV critic Alan Sepinwall chronicles the remarkable transformation of the small screen over the past fifteen years. Focusing on twelve innovative television dramas that changed the medium and the culture at large forever, including The Sopranos, Oz, The Wire, Deadwood, The Shield, Lost, Buffy the Vampire Slayer, 24, Battlestar Galactica, Friday Night Lights, Mad Men, and Breaking Bad, Sepinwall weaves his trademark incisive criticism with highly entertaining reporting about the real-life characters and conflicts behind the scenes. Drawing on interviews with writers David Chase, David Simon, David Milch, Joel Surnow and Howard Gordon, Damon Lindelof and Carlton Cuse, and Vince Gilligan, among others, along with the network executives responsible for green-lighting these groundbreaking shows, The Revolution Was Televised is the story of a new golden age in TV, one that’s as rich with drama and thrills as the very shows themselves.
These essays explore the minutia of TV in relation to the macro-structure of sixties politics and society, attempting to understand the struggles that took place over representation the nation's most popular communications media during the ...
—MZS The Mary Tyler Moore Show (CBS, 1970–1977) Total score: 98 In the early 1970s, Ethel Winant, CBS's vice president of talent and casting, had to place her high heels outside the restroom to alert men that the room was occupied, ...
Difficult Men features extensive interviews with all the major players, including David Chase, David Simon, David Milch, and Alan Ball; in addition to other writers, executives, directors and actors.
"'The Revolution Will Not Be Televised: Protest Music After Fukushima' shows that music played a central role in expressing antinuclear sentiments and mobilizing political resistance in Japan.
The former campaign manager for Howard Dean explains how he used the Internet to transform an obscure presidential candidate into a front-runner at the heart of a national grassroots movement.
Offers a complex reading of African Americans appearing on television in the 1960s and 1970s, finding within these programs opposition to white construction of African-American identity and the potential of television to effect social ...
And if the media are "only giving people what they want", then why do people want what they want - and is it true that this is all the media are giving them?
That shouldn't have been abnormal, but until you saw it on television, you didn't realize how much you missed it. ... For instance, African American scholar Kristen J. Warner, in her book The Cultural Politics of Colorblind TV Casting, ...
Drawing on interviews with writers David Chase, David Simon, David Milch, Joel Surnow and Howard Gordon, Damon Lindelof and Carlton Cuse, and Vince Gilligan, among others, along with the network executives responsible for green - lighting ...
The Revolution Will Not Be Funded gathers essays by radical activists, educators, and non-profit staff from around the globe who critically rethink the long-term consequences of what they call the "non-profit industrial complex.