Amid the rise of neoliberalism, globalization, and movements for civil rights and global justice in the post–World War II era, Chicanxs in film, music, television, and art weaponized culture to combat often oppressive economic and political conditions. They envisioned utopias that, even if never fully realized, reimagined the world and linked seemingly disparate people and places. In the latter half of the twentieth century, Chicanx popular culture forged a politics of the possible and gave rise to utopian dreams that sprang from everyday experiences. In Chicanx Utopias, Luis Alvarez offers a broad study of these utopian visions from the 1950s to the 2000s. Probing the film Salt of the Earth, brown-eyed soul music, sitcoms, poster art, and borderlands reggae music, he examines how Chicanx pop culture, capable of both liberation and exploitation, fostered interracial and transnational identities, engaged social movements, and produced varied utopian visions with divergent possibilities and limits. Grounded in the theoretical frameworks of Walter Benjamin, Stuart Hall, and the Zapatista movement, this book reveals how Chicanxs articulated pop cultural utopias to make sense of, challenge, and improve the worlds they inhabited.
... Chicanx movement may be found in Meier and Rivera, 257–280. César Chávez remains an unofficial saint of the movement. His words have been scripturalized as can be observed in M.T. García's edited volume, The Gospel of César Chávez, ...
In so doing, the book challenges theoretical conversations around affect and the post-human and asks what it means to truly consider people of color as writersand artists.
This book endeavours to understand the seemingly direct link between utopianism and the USA, discussing novels that have never been brought together in this combination before, even though they all revolve around intentional communities: ...
Bringing together a variety of scholarly voices, this book argues for the necessity of understanding the important role literature plays in crystallizing the ideologies of the oppressed, while exploring the necessarily racialized character ...
In "Hooking Watermelons," a light story of a watermelon theft, the aristocratic heroine recognizes commonality through joining in the adventure. She discovers that humanity transcends class, although even here Bellamy suggests that ...
This is a comparative study of the utopian fiction of nine women writers in the United States, France, and Canada.
This endeavor along with her desire for personal growth leads her to leave the House of Zeor in order to join the Company . Science - fiction fantasy with eutopian implications . Lynn , Elizabeth A. ( 1946- ) . The Sardonyx Net .
The Ideology of Gender in the American Owenite Communities Carol A. Kolmerten. residents belonged to one or the other of two very different types . One ' group , composed of families usually led by a husband , came to New Harmony to ...
In this groundbreaking collection, more than fifty cutting-edge feminist writers—including Melissa Harris-Perry, Janet Mock, Sheila Heti, and Mia McKenzie—invite us to imagine a world of freedom and equality in which: An abortion ...
Sister Karen , as she was affectionately known , was of Italian descent and was born in Arizona in 1933. She was raised in Boyle Heights during the 1940s and 1950s . During this period , Boyle Heights , which borders East Los Angeles ...