In Discorrelated Images Shane Denson examines how computer-generated digital images displace and transform the traditional spatial and temporal relationships that viewers had with conventional analog forms of cinema. Denson analyzes works ranging from the Transformers series and Blade Runner 2049 to videogames and multimedia installations to show how what he calls discorrelated images—images that do not correlate with the abilities and limits of human perception—produce new subjectivities, affects, and potentials for perception and action. Denson's theorization suggests that new media theory and its focus on technological development must now be inseparable from film and cinema theory. There's more at stake in understanding discorrelated images, Denson contends, than just a reshaping of cinema, the development of new technical imaging processes, and the evolution of film and media studies: discorrelated images herald a transformation of subjectivity itself and are essential to our ability to comprehend nonhuman agency.
Earlier versions of portions of this book were delivered as talks sponsored by the Affective Publics Reading Group at the University of Chicago, by the film and media departments at Goldsmiths College, Anglia Ruskin University, ...
... Jagalingou people made a formal declaration that they did not consent to the use of their land, in accordance with the UN Declaration on the Rights of Indigenous People, to which Australia is a signatory (McGrath 2015; Milman 2015).
In The Process Genre Salomé Aguilera Skvirsky introduces and theorizes the process genre—a heretofore unacknowledged and untheorized transmedial genre characterized by its representation of chronologically ordered steps in which some ...
Written by leading international scholars, this book surveys transnational dimensions of graphic narratives, covering popular comics and graphic novels from the USA, Asia and Europe.
George Collins. Tekhnema: Journal of Philosophy and Technology 4 (1998): 62-113. Strieble, Dan. “The Harlem Theater: Black Film Exhibition in Austin, Texas: 1920- 1973.” Moviegoing in America: A Sourcebook in the History of Film ...
In Surrealism at Play Susan Laxton writes a new history of surrealism in which she traces the centrality of play to the movement and its ongoing legacy.
Carl Bernouilli, Franz Overbeck und Friedrich Nietzsche: Eine Freundschaft Band 1 (Jena: Eugen Diedrichs, 1908), 146. Friedrich Lange's Geschichte der Materialismus, was translated into English as History of Materialism and Critique of ...
This is outstanding work, and scholars will have to contend with Morgan's conclusions for a long time."—Kristen Whissel, Professor of Film and Media, University of California, Berkeley
It traces a sweeping trajectory from what Brian Rotman calls the 'lettered self, ' associated with alphabetic inscription and the codex printed book, to the subject as distributed assemblage associated with network culture.
In The Play in the System Anna Watkins Fisher locates the possibility for resistance in artists who embrace parasitism—tactics of complicity that effect subversion from within hegemonic structures.