In Hegemonic Mimicry, Kyung Hyun Kim considers the recent global success of Korean popular culture—the Korean wave of pop music, cinema, and television, which is also known as hallyu—from a transnational and transcultural perspective. Using the concept of mimicry to think through hallyu's adaptation of American sensibilities and genres, he shows how the commercialization of Korean popular culture has upended the familiar dynamic of major-to-minor cultural influence, enabling hallyu to become a dominant global cultural phenomenon. At the same time, its worldwide popularity has rendered its Koreanness opaque. Kim argues that Korean cultural subjectivity over the past two decades is one steeped in ethnic rather than national identity. Explaining how South Korea leaped over the linguistic and cultural walls surrounding a supposedly “minor” culture to achieve global ascendance, Kim positions K-pop, Korean cinema and television serials, and even electronics as transformative acts of reappropriation that have created a hegemonic global ethnic identity.
the agency of the colonized by exploring how the colonized at once adopt and adapt the hegemonic colonial norms (1994: 87). Mimicry is neither a blind aping nor solely a forced assimilation into the hegemonic norms; rather it can be ...
27 System-world theories are based on such analysis (see our discussion of Immanuel Wallerstein's work in the text). A recent instance is Ian Taylor, Global Governance and Transnationalizing Capitalist Hegemony.
The first paradigm stems from the Persian hegemonic discourse that emphasized the continuity of a single, ... Mimicry, as articulated by Homi Bhabha, is the imitation of the colonizer's discourse by the colonized in such a way that it ...
... his writing opens a space for the articulation of a point of view that contradicts and interrupts hegemonic mimicry, producing a discourse of marginal cosmopolitanism that posits a world beyond Paris and London—like that of Captain ...
On the mimicry stage, the other, the queer, the Dalit, or the Muslim becomes an echo of the very prejudices that constitute their cultural subjectivities within the hegemonic discourse. What happens on the mimicry stage and comedy films ...
This is not relativism , for mimicry occupies no ground other than that of the hegemonic . 4 What mimicry does is throw the established canons of evaluation and hierarchy into disarray , for the dividing line between the hegemonic and ...
... how they might survive the global order of transnational capitalism cum US-hegemonic mimicry.22 Shamefacedly, Thomas Friedman has become the ever-troping Pangloss for the rise of global capitalism and US Empire, who never seems to ...
This volume uses autoethnography—cultural analysis through personal narrative—to explore the tangled relationships between culture and communication.
In Plantation Boy , the sequel to All I Asking for Is My Body , Murayama describes a Kiyo who chooses to leave Hawai'i for a life in San Francisco . One of the reasons for his exile is the perceived limitations of local identity .
Hegemonic Mimicry: Korean Popular Culture of the Twenty-First Century. Durham: Duke University Press, 2021. Kwon Sangcheol, Kim Jonghyuk, Lee Eui-Han, and Jung Chi-Young. Geography of Korea. Seongnam: Academy of Korean Studies, 2016.