Historians have long treated the patriotic anthems of the American Civil War as colorful, if largely insignificant, side notes. Beneath the surface of these songs, however, is a complex story. “Maryland, My Maryland” was one of the most popular Confederate songs during the American Civil War, yet its story is full of ironies that draw attention to the often painful and contradictory actions and beliefs that were both cause and effect of the war. Most telling of all, it was adopted as one of a handful of Southern anthems even though it celebrated a state that never joined the Confederacy. In Maryland, My Maryland: Music and Patriotism during the American Civil War James A. Davis illuminates the incongruities underlying this Civil War anthem and what they reveal about patriotism during the war. The geographic specificity of the song’s lyrics allowed the contest between regional and national loyalties to be fought on bandstands as well as battlefields and enabled “Maryland, My Maryland” to contribute to the shift in patriotic allegiance from a specific, localized, and material place to an ambiguous, inclusive, and imagined space. Musical patriotism, it turns out, was easy to perform but hard to define for Civil War–era Americans.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.
Maryland, My Maryland, and Other Poems, by James Ryder Randall.
Maryland, My Maryland, and Other Poems, by James Ryder Randall
About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work.
A collection of essays exploring the traditional Southern culture of Maryland and how that Southerness has been eroded in recent years.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.
CONTENTS: Introduction, Jean H. Baker and Charles W. Mitchell “Border State, Border War: Fighting for Freedom and Slavery in Antebellum Maryland,” Richard Bell “Charity Folks and the Ghosts of Slavery in Pre–Civil War Maryland,” ...
McCleary also led a twelve-piece band at Joe Gans's Goldfield Hotel in East Baltimore (named for the 42-round fight he won in Goldfield, Nevada, in 1906), where, he recalled, all of the chorus girls were aspiring starlets.