Standing at the intersection of Native history, labor, and representation, Picturing Indians presents a vivid portrait of the complicated experiences of Native actors on the sets of midcentury Hollywood Westerns. This behind-the-scenes look at costuming, makeup, contract negotiations, and union disparities uncovers an all-too-familiar narrative of racism and further complicates filmmakers’ choices to follow mainstream representations of “Indianness.” Liza Black offers a rare and overlooked perspective on American cinema history by giving voice to creators of movie Indians—the stylists, public relations workers, and the actors themselves. In exploring the inherent racism in sensationalizing Native culture for profit, Black also chronicles the little-known attempts of studios to generate cultural authenticity and historical accuracy in their films. She discusses the studios’ need for actual Indians to participate in, legitimate, and populate such filmic narratives. But studios also told stories that made Indians sound less than Indian because of their skin color, clothing, and inability to do functions and tasks considered authentically Indian by non-Indians. In the ongoing territorial dispossession of Native America, Native people worked in film as an economic strategy toward survival. Consulting new primary sources, Black has crafted an interdisciplinary experience showcasing what it meant to “play Indian” in post–World War II Hollywood.
"Standing at the intersection of Native history, labor, and representation, Picturing Indians presents a vivid portrait of the complicated experiences of Native actors on the sets of midcentury Hollywood Westerns.
The volume’s three essays situate these works within the historical narratives of westward expansion, the creation of an “Indian Territory” separate from the rest of the United States, and Oklahoma’s eventual statehood in 1907.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations.
An overview of Indian representation in Hollywood films. The author notes the change in tone for the better when--as a result of McCarthyism--filmmakers found themselves among the oppressed. By an Irish-Cherokee writer.
Volume #12 of 20 in The North American Indian series contains detailed information on the The Hopi. The subject areas covered on each tribe are histories, customs, ceremonies, mythologies and comparative vocabularies.
In Talking on the Page: Editing Aboriginal Oral Texts, edited by Keren Rice and Laura J. Murray, 53–68. Toronto: University of Toronto Press. ———. 2006. Traces in Blood, Bone and Stone: Contemporary Ojibwe Poetry.
This text documents the self-serving stereotypes--ranging from Noble savage to bloodthirsty redskin--that Europeans and white Americans have concocted about the "Indian".
The focus on Native American characters gives a unique perspective for understanding stereotypes and the interplay of racism, sympathy, and empathy in the historical periods of narrative film. Hilger traces...
The Pretend Indians: Images of Native Americans in the Movies
This book draws on the unrivalled riches of theBritish Library both visual and textual to tell that history. It weaves together the story of individual images, their creators, and the people and events they depict.