Chris Murray reveals the largely unknown and rather surprising history of the British superhero. It is often thought that Britain did not have its own superheroes, yet Murray demonstrates that there were a great many in Britain and that they were often used as a way to comment on the relationship between Britain and America. Sometimes they emulated the style of American comics, but they also frequently became sites of resistance to perceived American political and cultural hegemony, drawing upon satire and parody as a means of critique. Murray illustrates that the superhero genre is a blend of several influences, and that in British comics these influences were quite different from those in America, resulting in some contrasting approaches to the figure of the superhero. He identifies the origins of the superhero and supervillain in nineteenth-century popular culture such as the penny dreadfuls and boys' weeklies and in science fiction writing of the 1920s and 1930s. He traces the emergence of British superheroes in the 1940s, the advent of "fake" American comics, and the reformatting of reprinted material. Murray then chronicles the British Invasion of the 1980s and the pivotal roles in American superhero comics and film production held by British artists today. This book will challenge views about British superheroes and the comics creators who fashioned them. Murray brings to light a gallery of such comics heroes as the Amazing Mr X, Powerman, Streamline, Captain Zenith, Electroman, Mr Apollo, Masterman, Captain Universe, Marvelman, Kelly's Eye, Steel Claw, the Purple Hood, Captain Britain, Supercats, Bananaman, Paradax, Jack Staff, and SuperBob. He reminds us of the significance of many such creators and artists as Len Fullerton, Jock McCail, Jack Glass, Denis Gifford, Bob Monkhouse, Dennis M. Reader, Mick Anglo, Brendan McCarthy, Alan Moore, Grant Morrison, Dave Gibbons, and Mark Millar.
From the penny dreadfuls of the 1830s to the emergence of British superheroes in the 1930s, the British Invasion of the 1980s, and the pivotal roles in American superhero comics and film production held by British artists today, this book ...
Just look at: · Princess K, who went from tapping her foot under the desk at school, to dancing centre stage at Glastonbury · Dina Asher Smith, who started out crawling at lightning speed and became the fastest British woman in history · ...
What's in this book? * The complete Basic game system - with simplified character creation and an example adventure to get you up and running within minutes. * Advanced rules to allow experienced players to customise the game to their ...
Captain Britain returns to fight alongside the Black Knight and Merlyn to save the fabled Camelot and Otherworld from the hideous hordes of Necromon!
What's in this book?* The complete Basic game system - with simplified character creation and an example adventure to get you up and running within minutes. * Advanced rules to allow experienced players to customise the game to their tastes ...
The superhero of comic books and blockbuster movies might be a State-side phenomenon, with its conservative notions of 'truth, justice and the American way'.
WHICH TV series? ALL of them! What's in this book? * The Squadron UK Basic game system.
Invites the reader to help Superhero save the book from the Scribbler by lifting it, concentrating, tapping pages, and more.
First published in hardback by Viking, 2015.
And help is very, very far away. Part noir, part historical mystery, British Ice explores the consequences of colonialism and the legacy of empire.