In charting the life and times of Gordon Stretton, this text makes a major contribution to both jazz and popular music studies. By asking historians to re-evaluate the contributions made to the development of jazz by those “other than” African Americans, it proposes new jazz histories emanating from pathways, influences and encounters.
It toured with the African American performers Gordon Heath and later Connie Smith (for a biography of Smith, see Key Figure 8).20 Robert Adams (b. 1902, Guyana; d. 1965, Guyana) worked extensively in UK theatre in the 1940s.
... Bob 566 Barendregt, Bart 1121 Bares, William K. 438, 638, 727, 737 Baresel, Alfred 673 Barker, Simon 562, 1195 Barker, Tom 1338 Barley, Brian 235 Barnard, Bob 1307 Barnard, Len 1234 Barnard, Loretta 1234 Barradas, João 766 Barretto, ...
EICHER, MANFRED (1943–). Eicher is a cofounder of the Edition of Contemporary Music label, more commonly known as ECM. Founded in Munich, Germany, the label is known for high-standard recording sessions, use of reverb, and artistically ...
Almost 20 years ago Michael Brocken created from his doctoral research, what became both a seminal and contested volume concerning the social mores surrounding the British Folk Revival up to that point in time: The British Folk Revival ...
Joel Walker Sweeney was, in essence, the Elvis Presley of the 1840s. A professional banjo player, Sweeney introduced mainstream America to a music (and musical instrument) which had its roots...
I played my first union job with Sam Donahue's band in 1940 , and although he liked my soloing , my reading wasn't good enough . " Tak " Takvorian took my place , and that's when Trummy Young sent me to Miff Mole , who taught me how to ...
In this book the author analyzes the autobiographies of Baby Dodds, Sidney Bechet, Pops Foster, and Lee Collins by integrating social, psychological, and literary theories.
Black Music Matters: Jazz and the Transformation of Music Studies is among the first books to examine music studies reform through the lens of African American music, as well as the emergent field of consciousness studies.
This book is an excellent access point for students, researchers, and anyone seeking a broader understanding of the history of jazz and the connections within the genre.
Mitchell has also recorded an album with a mix of standards and contemporary Broadway selections. His self-titled Brian Stokes Mitchell (2006) is a compilation album featuring songs from the American Songbook such as “The Best Is Yet to ...