In 1978, Siouxsie and the Banshees declared 'We don't see ourselves in the same context as other rock'n'roll bands.' A decade later, and in the stark aftermath of a devastating storm, the band retreated to a 17th-century mansion house in the deracinated Sussex countryside to write their ninth studio album, Peepshow. Here, the band absorbed the bygone, rural atmosphere and its inspirational mise en scène, thus framing the record cinematically, as Siouxsie Sioux recalled, 'It was as if we were doing the whole thing on the set of The Wicker Man'. Samantha Bennett looks at how Siouxsie and the Banshees' Peepshow is better understood in the context of film and film music (as opposed to popular music studies or, indeed, the works of other rock'n'roll bands). Drawing upon more than one hundred films and film scores, this book focuses on Peepshow's deeply embedded historical and aesthetic (para)cinematic influences: How is each track a reflection of genre film? Who are the various featured protagonists? And how does Peepshow's diverse orchestration, complex musical forms, atypical narratives and evocative soundscapes reveal an inherently cinematic record? Ultimately, Peepshow can be read as a soundtrack to all the films Siouxsie and the Banshees ever saw. Or perhaps it was the soundtrack to the greatest film they never made.
Kids slapped aluminum stars on their cheeks, poured themselves into patched bell bottoms, and grooved along with such inspired gobbledygook as “You've got a hub-cap diamond-star halo.” Bolan hisses his weird words over an expansive ...
Siouxsie and the Banshees waren eine britische Rockband, die 1976 von der Sängerin Siouxsie Sioux und dem Bassgitarristen Steven Severin in London gegründet wurde.
Now reformed, they are launching their Best Of... album in 2002. The book features exclusive interviews and photos and is written by personal friend and journalist Paul Mather, from London.
Chasing Sound: The Culture and Technology of Recording Studios in America, 1877 to 1977. PhD thesis, Case Western Reserve University, Cleveland. Schmidt Horning, Susan. 2013. Chasing Sound: Technology, Culture & the Art of Studio ...
This book is a treasure trove of valuable tradecraft for aspiring editors and a prized resource for high-level working professionals.
Amy Gentry argues that these violent aesthetic responses to Amos's performance, both positive and negative, are organized around disgust-the disgust that women are taught to feel, not only for their own bodies, but for their taste in music.
"An idiosyncratic review of the most exciting modern music--new wave to no wave, hardcore to hip-hop."--Jacket.
Expanded anniversary edition of this 1990 classic by America's most provocative performance artist, as outrageous, insightful and relevant as ever.
Through interviews with members of Living Colour, and others involved in the making of Time's Up, Kimberly Mack explores the creation and reception of this artistically challenging album, while examining the legacy of this culturally ...
This book covers Cooke's days with the Soul Stirrers, the gospel unit that was inventing a strand of soul in the 1950s, and continues on to his string of hit singles as a solo artist that reveal far more about this complex man and the ...