When Genres Collide is a provocative history that rethinks the relationship between jazz and rock through the lens of the two oldest surviving and most influential American popular music periodicals: Down Beat and Rolling Stone. Writing in 1955, Duke Ellington argued that the new music called rock 'n' roll “is the most raucous form of jazz, beyond a doubt.” So why did jazz and rock subsequently become treated as separate genres? The rift between jazz and rock (and jazz and rock scholarship) is based on a set of received assumptions about their fundamental differences, but there are other ways popular music history could have been written. By offering a fresh examination of key historical moments when the trajectories and meanings of jazz and rock intersected, overlapped, or collided, it reveals how music critics constructed an ideological divide between jazz and rock that would be replicated in American musical discourse for decades to follow.
... genres—which I believe accounts for much of a performance's transformative power—“collision of genres.” When genres collide, they rupture and are reformed—a sung genre becomes dissociated from its text and recombined with spoken ...
"There are some love stories that will take you on such intensely emotional journeys, shake you to the very core of your being, make you scream, cry, curse, throw things against walls, but also fill you with more hope than you ever thought ...
Her mind tried to fight a bloody battle against what her body already knew.
In this love story, you will follow Tony and Jill as they mature as people and face these obstacles together. Could their love survive? Many of the experiences in this book you may have had yourself.
"Can seventeen-year-old Jonah save his family restaurant from ruin, his mother from her sadness, and his danger-seeking girlfriend Vivi from herself?"--
... her pride in her work. Even if it would be the death of them—literally. He'd better double patrols. “Thad has pretended to be my husband often enough for these sorts of things. People act one way around reviewers and another around ...
See Whiteley and Rycenga, Queering the Popular Pitch; Peraino, “Listening to Gender,” 59–64; Jarman-Ivens, Queer Voices; Hubbs, Rednecks, Queers, and Country Music; Clifford-Napoleone, Queerness in Heavy Metal Music; Hawkins, Queerness ...
... the joker to the thief , " There's too much confusion , I can't get no relief . Businessmen , they drink my wine , plowmen dig my earth , None of them along the line know what any of it is worth . " " No reason to get excited , " the thief ...
... When Genres Collide : Down Beat , Rolling Stone , and the Struggle between Jazz and Rock ( New York : Bloomsbury Academic , 2018 ) , 81 . 37 R. H. Hagan , “ The Concert Season , ” San Francisco Chronicle This World , October 1 , 1950 ...
Kick It shows how the drum kit and drummers helped change modern music--and society as a whole--from the bottom up.