Since the late 1990s a new language has emerged in film scholarship and criticism in response to the popularity of American directors such as Wes Anderson, Charlie Kaufman, and David O. Russell. Increasingly, adjectives like 'quirky', 'cute', and 'smart' are used to describe these American films, with a focus on their ironic (and sometimes deliberately comical) stories, character situations and tones. Kim Wilkins argues that, beyond the seemingly superficial descriptions, 'American eccentric cinema' presents a formal and thematic eccentricity that is distinct to the American context. She distinguishes these films from mainstream Hollywood cinema as they exhibit irregularities in characterization, tone, and setting, and deviate from established generic conventions. Each chapter builds a case for this position through detailed film analyses and comparisons to earlier American traditions, such as the New Hollywood cinema of the 1960s and 1970s. American Eccentric Cinema promises to challenge the notion of irony in American contemporary cinema, and questions the relationship of irony to a complex national and individual identity.
... Africa Diaspora of France by Will Higbee 978 0 7486 4004 1 (hardback) New Romanian Cinema by Christina Stojanova and Dana Duma 978 0 7486 42649 (hardback) Contemporary Latin American Cinema: New Transnationalisms by Dolores Tierney ...
Starting in the early 1990s, artists such as Quentin Tarantino, David Foster Wallace, and Kurt Cobain contributed to a swelling cultural tide of pop postmodernism that swept through music, film,...
Amy Taubin, 'Queer Male Cinema and Feminism', Sight and Sound, September 1992, reprinted in Cook and Dodd (eds.), Women and Film, 179. Anat Pick, 'New Queer Cinema and Lesbian Films', in Aaron (ed.), New Queer Cinema, 106.
With case studies of actors like Shirley Temple, Cary Grant and Fred Astaire, as well as a selection of films that reflect politics and society in the Depression decade, this fascinating book examines how the challenges of the Great ...
This new edition presents Mekas's original critiques in full, with additional material on the filmmakers, film studies scholars, and popular and avant-garde critics whom he inspired and transformed.
Focusing on sexually explicit films by Andy Warhol, Barbara Rubin, Stan Brakhage, Carolee Schneemann, Yoko Ono and Paul Sharits, this book demonstrates how experimental cinema not only transformed American visual culture, but also the lives ...
As Jason Mittell puts it, “by highlighting the conventionality of Donald's writing and McKee's guidance, Adaptation reminds us to pay attention to its own unconventional techniques.” Jason Mittell, Narrative Theory and Adaptation (New ...
Drawing on interviews and new archival material, Mikics for the first time explores the personal side of Kubrick’s films.
Indeed, Cassavetes had frequent arguments with his operators, who generally wanted to block scenes beforehand and supply marks on the floor to indicate where the actors should stand, whereas Cassavetes wanted the operator to follow the ...
All that’s left of this work of art is a single frame from which B. must somehow attempt to recall the film that just might be the last great hope of civilization.