Once one of the most popular film genres and a key player in the birth of early narrative cinema, the Western has experienced a rebirth in the era of post-classical filmmaking with a small but noteworthy selection of Westerns being produced long after the genre's 1950s heyday. Thanks to regular repertory cinema and television screenings, home video releases and critical reappraisals by cultural gatekeepers such as Quentin Tarantino, an ever-increasing number of these Westerns have become cult films. Be they star-laden, stylish, violent, bizarre or simply little heard-of obscurities, Reframing Cult Westerns offers a multitude of new critical insights into a truly eclectic selection of cult Western films. These twelve essays present a wide-ranging methodological scope, from industrial histories to ecocritical approaches, auteurist analysis to queer and other ideological angles. With a thorough analysis of the genre from international perspectives, Reframing Cult Westerns offers fresh insight on the Western as a global phenomenon.
business mind, Schackel has to concede that 'the price she pays for success precludes her ability to develop a warm, loving relationship with' the film's nominal hero, Warren Beatty's McCabe (1987: 214). McCabe dies because Mrs Miller ...
Endurance of the Global Western Film Hervé Mayer, David Roche ... 2007) are called “post-Westerns” (Campbell), “late Westerns” (Mitchell), “contemporary Westerns” (Nelson), or simply “Westerns” (Carter) remains less important, ...
Containing contributions from leading experts in the field, this Handbook explores the many ways gender and violence interact across different contexts and offers a range of disciplinary perspectives.
... Reframing Cult Westerns: From the Magnificent Seven to the Hateful Eight (2020). Lee edits the Current Thinking on the Western blog on-line and is the convenor of the International Scholars of the Western Network. His research interests ...
10,000 Ways to Die: A Director's Take on the Spaghetti Western ( Harpenden : Kamera Books ). Coyne, M. 1997. The Crowded Prairie: American National Identity in the Hollywood Western ( London : I.B.Tauris ). Cracroft, R. H. 1967.
... westerns. He is also the editor of Critical Perspectives on the Western: From A Fistful of Dollars to Django Unchained (Rowman & Littlefield, 2016) and Reframing Cult Westerns: From The Magnificent Seven to The Hateful Eight (Bloomsbury ...
... Reframing Cult Westerns: From “The Magnificent Seven” to “The Hateful Eight” (Bloomsbury, 2020). He edits the Current Thinking on the Western online blog and is the convener of the International Scholars of the Western Network. His ...
... Alejandro. 1971. El Topo: A Book of the Film. New York: Douglas/Links. Jodorowsky, Alejandro. 1985. “Dune: Le Film Que Vous Ne Verrez Jamais.” Métal Hurlant No.107. Paris: Les humanoïdes associés (16-page detachable supplement) and ...
'A Forgotten Episode in the History of Hollywood Cinema, Television and Seriality: The Case of the Mirisch Company'. In Exploring Seriality on Screen: Audiovisual Narratives in Film and Television, edited by Ariane Hudelet and Anne ...
... 1978–1986 (Jefferson, NC: McFarland, 2002), 15. Ibid., 14. Michael Ryan and Douglas Kellner, Camera Politica: The Politics and Ideology of Contemporary Hollywood Film (Bloomington: 58 59 60 61 Indiana University Press, 1988), 51.