Greene’s “sharply, often incisively etched” novel of the interlocked fates of unwary strangers on a train from Belgium to Constantinople (The New York Times). The Orient Express has embarked from Ostend for a three-day journey to Cologne, Vienna, and Constantinople. The passenger list includes a Jewish trader from London with business interests in Turkey—and a score to settle; a vulnerable chorus girl on her last legs; a boozy and spiteful journalist who’s found an unrequited love in her paid companion, and her latest scoop in second class—a Serbian dissident in disguise on his way to lead a revolution; and a murderer on the run looking for a getaway. As the train hurtles across Europe, the fates of everyone on board will collide long before the Orient Express rushes headlong to its final destination. Originally published in the UK as Stamboul Train in 1932, Graham Greene’s “novel has movement, variety, interest; taken on the surface, it is an interesting and entertaining story of adventure, penetrated through and through with the consciousness of the on-rushing train, with that curious sense of the temporary suspension of one’s ordinary existence which comes to many on ship or train” (The New York Times).
"The purser took the last landing-card in his hand and watched the passengers cross the wet quay, over a wilderness of rails and points, round the corners of abandoned trucks." ...
Murder On The Orient Express
Hercule Poirot observed his fellow passengers on the Orient Express: a Russian princess, an English colonel, an American with a strange glint in his eye and many more.
THE MOST WIDELY READ MYSTERY OF ALL TIME—NOW A MAJOR MOTION PICTURE DIRECTED BY KENNETH BRANAGH AND PRODUCED BY RIDLEY SCOTT! “The murderer is with us—on the train now . . .” Just after midnight, the famous Orient Express is stopped ...
After a judge orders three squabbling ladies to attend a library book discussion group together, reading "Murder on the Orient Express" inspires them to investigate the murder of the owner of the Orient Express restaurant.
Hoping to make a clean break from a fractured marriage, Agatha Christie boards the Orient Express in disguise.
Collins brings the Queen of Crime, Agatha Christie, to English language learners.
He wanted to unfurl the glory of wealth like a peacock's tail before her and dazzle her with the beauty of his possessions . ' Sixty dinas , ' he said , ' for the two of you . ' ' I'll just go along , ' said Mr Savory , ' and see the ...
Just after midnight, a snowdrift stops the Orient Express in its tracks.
Movement into mystery forms the central action for many stories in this volume. The only limitation placed upon writers for this collection was that their works somehow involve the Orient Express and the Mythos.