Marie Belloc Lowndes Celebrated Suspense Story . . . A knock at the door and a mysterious stranger enters the lives of a private, unassuming English couple, their daughter and her beau, a hard-driven investigator for the British police, pulling them into a maelstrom of suspicion and terror. In the neighborhood, a mysterious series of Ripper-like murders are occurring, the only clues being mysterious triangular calling-cards bearing the name -- "The Avenger" -- left on the bodies of the victims. Who is he? The police are at a loss; Whitechapel is in an uproar; neighbors are suspicious of neighbors; fear runs rampant. . . . The first of many films to bear the stamp of his unmistakable genius, Sir Alfred Hitchcock transformed Marie Belloc Lowndes' thrilling 1913 novel of murder, mystery and intrigue into his first masterpiece, a British film from 1927 that would gain the director international acclaim and establish a pattern Hitchcock would return to over and over throughout his extensive cinematic career. This, the first novel based on the Jack the Ripper killings, is accompanied by images from Hitchcock's silent film and extensive Appendices. It is the second volume in a series of Silent-Photoplay Editions based upon famous films of the silent era.
Somehow the girl felt confused, a little scared by the lodger's sudden disappearance. Perhaps this unwonted feeling of hers was induced by the look of stunned surprise and, yes, pain, on her stepmother's face. Slowly they made their way ...
The Lodger, A Story of the London Fog, By Marie Belloc Lowndes, Marie Adelaide Elizabeth Rayner Lowndes, née Belloc (5 August 1868 – 14 November 1947), was a prolific English novelist.
"This untold origins story of the filmmaker excavates the first true Hitchcock film and explores its transatlantic history. Hitchcock called The Lodger "the first true Hitchcock movie," anticipating all the others.
201. Ibid., p. 195–96. I. F. Clarke's Voices Prophesying War (London: Panther, 1970) gives a good overview of this literature and the alarmism that underlay it. Hugh Owen, “The Poison Cloud,” Pearson's Magazine 26 (1908): pp. 657–89.
This collection will feature a map motif and notes before each story, giving readers the real-world context for these hauntings and encounters, and allowing the modern reader to seek out the sites themselves--should they dare.
In Chromatic Modernity, Sarah Street and Joshua Yumibe provide a revelatory history of how the use of color in film during the 1920s played a key role in creating a chromatically vibrant culture.
A collaborator with Warner Brothers and Paramount in the early days of sound film, the German film director Ernst Lubitsch (1892-1947) is famous for his sense of ironic detachment and for the eroticism he infused into such comedies as So ...
The Lodger
And she did it all on her own terms. Author Christina Lane shows how this stylish, stunning woman became Hollywood's most powerful female writer-producer—one whom history has since overlooked.
English Hitchcock