The Essays of Michel de Montaigne (1877) is a collection of essays and letters by Michel de Montaigne. Originally published in French as Essais (1580), this edition was translated by English poet Charles Cotton in the late-17th century and republished by William Carew Hazlitt, the grandson of renowned English essayist and critic William Hazlitt. “No man living is more free from this passion [of sorrow] than I, who yet neither like it in myself nor admire it in others, and yet generally the world, as a settled thing, is pleased to grace it with a particular esteem, clothing therewith wisdom, virtue, and conscience. Foolish and sordid guise!” In his masterful essays, Michel de Montaigne eschews the typical distancing required of the authorial voice in order to investigate public matters through a personal lens. As the subject of his own musings, he provides both a stirring self-portrait and an invaluable new voice that will resonate throughout Western literature. Unlike the Enlightenment thinkers who would follow in his footsteps, Montaigne is skeptical of the possibility of human certainty and takes an ethical stand against the European colonial project in the Americas and elsewhere. At times serious, at others tongue-in-cheek, his wide-ranging topics include conscience, politics, sorrow, solitude, fear, friendship, war, and poetry. The Essays of Michel de Montaigne were written at a crossroads in human history—between Renaissance and Enlightenment, Catholicism and Protestantism, Montaigne argues that to look outward requires we first look within, and that the quest for happiness requires us to accept what we cannot know. With a beautifully designed cover and professionally typeset manuscript, this edition of The Essays of Michel de Montaigne is a classic of French philosophy reimagined for modern readers.
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Similarly , Nadja in " Word for Word " is reluctant to call Mr. Frankel by his first name , Ludwig , an act which would signal an acceptance of his appropriateness for her , since Ludwig — like Robert , Ernst , Fritz , Erich , Franz ...
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Philip P. Wiener . New York : Charles Scribner's Sons , 1973 . Plato . Plato : The Symposium . Trans . and ed . Alexander Nehemas and Paul Woodruff . Indianapolis : Hackett Publishing Company , 1989 . Plummer , Kenneth , ed .
When the credits started to roll and Carmen, needing her meds and cigarettes, handed Ryan her car keys, Mary Ellen stared in disbelief. “She's giving him her keys!” she thought, eyeing Pepe, trying to catch his attention because he knew ...
Here she debuts a provocative new story written especially for this series.
We make our way slowly into the assembly hall, where 26 identical pillars cut from one rock line the sides. A fat stupa cut of the same rock stands at the innermost part of the hall; 20 feet high, it's shaped like an overturned bowl ...
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Everyone seems to have got something out of the speeches, the Metaphysical Revolution was declared, and Shelley's wind is now scattering “sparks, my words among mankind” (the passage Kathleen Raine quoted). We now hope it translates ...