The Cherry Orchard (1903) is Russian playwright and short story writer Anton Chekhov’s final play. It was first performed at the Moscow Art Theatre in 1904, directed by acclaimed actor Konstantin Stanislavski—who also played the role of Leonid Gayev, the bizarre and uninspired brother of Madame Ranevskaya. It has since become one of twentieth century theater’s most important—and most frequently staged—dramatic works. After five years of living in Paris with her lover—where she fled following the death of her young son—Madame Ranevskaya is brought back to her Russian estate by her daughter Anya. In her absence, Varya, Ranevskaya’s adopted daughter, has cared for the estate to the best of her ability, but the family’s debts have forced them to put the house and its renowned cherry orchard up for auction. Leonid Gayev, Madame Ranevskaya’s brother, hopes to keep the estate, while Yermolai Lopakhin—a wealthy neighbor despite being born a peasant—encourages the family to sell. Although they initially shelter Madame Ranevskaya, she soon discovers the truth and decides—against the family’s wishes—to throw a party none of them can afford. As the play reaches its tragic conclusion, the wealthy are forced to acknowledge their circumstances have changed, and the characters who depend on them for employment must do what they can to survive. The Cherry Orchard is a powerful drama that takes an unsparing appraisal of the massive shift in political and social circumstances undergone by Russians in the early twentieth century. With a beautifully designed cover and professionally typeset manuscript, this edition of Anton Chekhov’s The Cherry Orchard is a classic of Russian literature reimagined for modern readers.
It is her solution - and Chekhov's. This new version of The Cherry Orchard by Pam Gems opened at the Crucible, Sheffield in March 2007.
The Cherry Orchard was written by Chekhov as a comedy, but directed by Stanislavski as a tragedy on its premier.
THE STORY: The action takes place at the country estate of Madame Ranevskaya, an estate famed for its beautiful cherry orchard--and soon to be sold at auction unless the delinquent taxes are paid.
Mamet's ear is famously impeccable, the dialogue is always authentic and convincing . . . . This is a tribute to its strong point of view and clear point of departure.
For decades after its first performance in 1904, Anton Chekhov's The Cherry Orchard fomented controversy among producers, actors, critics, and audiences. Along with its intrinsic textual richness, linguistic power, and...
The Cherry Orchard by Anton Chekhov in a version by Andrew Upton, premiered at the National Theatre, London, in May 2011.
Drawn from Sharon Marie Carnicke's volume of Chekhov, Four Plays and Three Jokes (Hackett), this edition of The Cherry Orchard features Carnicke's groundbreaking translation of a play that has been called Chekhov's ultimate theatrical coup ...
Vakhtangov's remarks suggest a new approach to Chekhov, but one that wouldn't be applied to The Cherry Orchard for several years. When the new generation of directors turned to Chekhov, they concentrated on his farces and vaudevilles, ...
Chekhov's great tragicomic eulogy for a passing way of life represents, according to Robert Brustein, "some kind of powerful culmination of all his dramas up to that time.
Richard Pevear and Larissa Volokhonsky have produced acclaimed translations of Leo Tolstoy, Fyodor Dostoevsky, Nikolai Gogol, Anton Chekhov, and Mikhail Bulgakov.