When Edward II becomes king, he uses his new authority to pardon his favorite nobleman, Piers Gaveston, from his exile, angering key supporters. Soon after he inherits the throne, King Edward II of England writes a letter to his favorite nobleman, Piers Gaveston, who had previously been exiled, asking him to come back to England. Eager to return and happy to have the king’s favor, Gaveston travels to the kingdom immediately. However, when the other noblemen and advisors hear of Edward’s decision, they quickly try to talk him out of it. Believing that Gaveston is a manipulative social climber, the noblemen warn Edward that he should reconsider his pardon. However, Edward loves Gaveston deeply, and refuses to revoke his pardon. He appoints Gaveston the power to issue commands and draw money from the treasury, happy to be reunited with the man. Meanwhile, the angered noblemen start to gather a group of resistance. Concerned about the power Edward has given Gaveston, they continue their attempts to disillusion him, convincing others close to Edward to talk him into turning against the man. As some of Edward’s closest friends and family, take a side against him, the distrust the nobles hold for Gaveston begins to bleed into contempt for the king. With schemes of manipulation, invasion, and abdication plague the kingdom, Edward must reconsider his love for Gaveston before it causes his downfall. First debuted in 1592, Edward the Second is among the legendary playwright’s final works. Considered to be Marlowe’s masterpiece, Edward the Second is praised for its unique topic, disciplined rhetoric, and homoeotic undertones. Having been adapted for film and radio, as well as inspiring theatre revivals, Edward the Second is one of Marlowe’s most popular and celebrated works. With exemplary writing and a high-stakes plot, Edward the Second provides an intriguing perspective on the rule of Edward II that remains fascinating to modern audience. This edition of Edward the Second by Christopher Marlowe is now presented in an easy-to-read font and features a striking new cover decision, creating an accessible reading experience. With these accommodations, Edward the Second is restored to modern standards while the original genius and vivid imagery of Marlowe’s poetry is preserved.
In this new edition, Charles Forker provides the most complete and detailed edition of Edward II ever published. The introduction contains a fresh analysis of the first quarto (including new...
Edward II has just become king after the death of his father, and he immediately summons his exiled favorite, Piers Gaveston, to the court.
Depicting with shocking openness the sexual and political violence of its central characters’ fates, Edward the Second broke new dramatic ground in English theatre.
88–93; M. Brown, Bannockburn: The Scottish War and the British Isles, 1307–1323 (Edinburgh: Edinburgh University Press, 2008), pp. 115–36. 4. Scalacronica, p. 75. 5. Scalacronica, pp. 74–7. 6. Johannis de Trokelowe et Henrici Blaneforde ...
This student edition contains a completely new introduction by Stephen Guy-Bray, and offers students a useful and lively overview of recent criticism, an updated performance history paying greater attention to Derek Jarman's film, a ...
Pugh, T. B., 'The Marcher Lords of Glamorgan and Morgannwg, 1317– 1485', Glamorgan County History, III: The Middle Ages, ed. T. B. Pugh (1971). Rastall, Richard, 'Secular Musicians in Late Medieval England', Univ. of Manchester PhD ...
A new review of the most significant issues of Edward II's reign.
Edward II is, in a sense, Bertolt Brecht's only tragedy.
"Edward II (25 April 1284 ? 21 September 1327), also called Edward of Caernarfon,[1] was King of England from 1307 until he was deposed by his wife Isabella in January...
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