Appalachian fiddle music, based on the musical traditions of the people who settled in the mountainous regions of the southeastern United States, is widely-known and played throughout North America and parts of Europe because of its complex rhythms, its catchy melodies, and its often-ancient-sounding stylistic qualities. The authors explore the lives and music of 43 of the classic Appalachian fiddlers who were active during the first half of the 20th century. Some of them were recorded commercially in the 1920s, such as Gid Tanner, Fiddlin’ John Carson, and Charlie Bowman. Some were recorded by folklorists from the Library of Congress, such as William Stepp, Emmett Lundy, and Marion Reece. Others were recorded informally by family members and visitors, such as John Salyer, Emma Lee Dickerson, and Manco Sneed. All of them played throughout most of their lives and influenced the growth and stylistic elements of fiddle music in their regions. Each fiddler has been given a chapter with a biography, several tune transcriptions, and tune histories. To show the richness of the music, the authors make a special effort to show the musical elements in detail, but also acknowledge that nothing can take the place of listening. Many of the classic recordings used in this book can be found on the web, allowing you to hear and read the music together.
Fifty-eight grand old tunes from the mountains of Virginia, West Virginia, and Kentucky. Jigs, reels, hornpipes, and breakdowns, transcribed from the playing of traditional fiddlers, with authoritative notes, ideas for...
This comprehensive collection features over 100 note-for-note skillfully-crafted clawhammer banjo arrangements of “old-time” Southern fiddle tunes, in clear tablature - with suggested guitar chords at a wide variety of skill levels.
The book includes a clearly written description of old time style focusingon default bowing systems designed to develop rhythmic bowing.
All transcriptions are based on festival versions of the tunes, meaning the versions are those most commonly encountered at jams and festivals. the book includes a clearly written description of old time style focusing on default bowing ...
JAZZ philharmonic violin Jazz Philharmonic and Jazz Philharmonic : Second Set By Randy Sabien and Bob Phillips String teachers can now introduce the world of jazz to beginning through advanced students with this fantastic series from ...
Unknown publisher, 1943. Mahnkey, Douglas. Bright Glowed My Hills. Point Lookout, Mo.: School of the Ozarks Press, 1968. Marshall, Howard W. “Marmaduke's Hornpipe: Speculation on the Life and Times of a Historic Missouri Tune.
Similarly, a tune that appears in O'Neill's was known to fiddlers of Irish descent on this side of the Atlantic in ... by Mulvihill cent. century N.E. northeast Christeson The Old-Time Fiddler's Repertory by Christeson NA North America ...
(Banjo). The Round Peak area of Surry County, North Carolina consists of a number of small communities which border Mt. Airy, NC. The Round Peak musical style is synonymous with the old time music pairing of the fiddle with the African ...
While encountering the influences of an increasingly overwhelming popular culture, the men and women in this book follow age-old patterns of folklife and custom, making their own music and dance in celebration of them.
James Still in Interviews, Oral Histories and Memoirs. Edited by Ted Olson. 2009 24. The Millstone Quarries of Powell County, Kentucky. Charles D. Hockensmith. 2009 25. The Bibliography of Appalachia: More Than 4,700 Books, Articles, ...