Cult British TV comedy: From Reeves and Mortimer to Psychoville

Cult British TV comedy: From Reeves and Mortimer to Psychoville
ISBN-10
1526102366
ISBN-13
9781526102362
Category
Social Science
Pages
256
Language
English
Published
2015-11-01
Publisher
Manchester University Press
Author
Leon Hunt

Description

This book is the first sustained critical analysis of Cult British TV comedy from 1990 to the present day. The book examines ‘post-alternative’ comedy as both ‘cult’ and ‘quality’ TV, aimed mostly at niche audiences and often possessing a subcultural aura (comedy was famously declared ‘the new ‘rock’n’roll’ in the early ‘90s). It includes case studies of Vic Reeves and Bob Mortimer and the sitcom writer Graham Linehan. It examines developments in sketch shows and the emergence of ‘dark’ and ‘cringe’ comedy, and considers the politics of ‘offence’ during a period in which Brass Eye, ‘Sachsgate’ and Frankie Boyle provoked different kinds of media outrage. Programmes discussed include Vic Reeves Big Night Out, Peep Show, Father Ted, The Mighty Boosh, The Fast Show and Psychoville. Cult British TV Comedy will be of interest to both students and fans of modern TV comedy.

Similar books

  • The Rough Guide to British Cult Comedy
    By Julian Hall

    THE Box Office 08704441902 WELCOME TO THE RED CARD COMEDY CLUB The Forum 2 Millennium Plain , Bethel Street , Norwich NR2 1TF . Tickets 01603 727950 www.theforumnorwich.co.uk/ The Comedy Store circuit pays monthly visits to Norwich's ...

  • The Essential Cult TV Reader
    By David Lavery

    Dictionary of Teleliteracy. New York: Continuum, 1996. ———. Teleliteracy: Taking Television Seriously. The Television Series. Syracuse, N.Y.: Syracuse UP, 2000. Bielby, Matt. “Sexy Beasts.” Death Ray 10 (2008): 40–49.

  • Creativity in the British Television Comedy Industry
    By Brett Mills, Erica Horton

    ... Movies Never Made?, London: Titan Books. Hullot-Kentor, Robert (2008) 'The exact sense in which the culture industry no longer exists', Cultural Critique, 70 (1): 137–157. Hunt, Leon (2013) Cult British TV Comedy: From Reeves and ...

  • The Greatest Cult Television Shows of All Time
    By Christopher J. Olson, CarrieLynn D. Reinhard

    As the titular kids, Dave Foley, Bruce McCulloch, Kevin McDonald, Mark McKinney, and Scott Thompson used their singular comedic sensibilities to create memorable recurring characters (like the Chicken Lady and Buddy Cole); surreal ...

  • Cult TV: The Comedies : the Ultimate Critical Guide
    By Jon E. Lewis, Penny Stempel

    Cult TV is the only guide providing comprehensive information on all your favourite cult shows. Covering over 300 TV programmes the authors outline each show from conception to execution, with...

  • UK and Irish Television Comedy: Representations of Region, Nation, and Identity
    By Jill Marshall, Mary Irwin

    ... Cult British TV Comedy : From Reeves and Mortimer to Psychoville . Manchester : Manchester University Press . Inglis , Tom . 1998. Moral Monopoly : The Rise and Fall of the Catholic Church in Modern Ireland . Dublin : UCD Press . 2008 ...

  • British TV Comedies: Cultural Concepts, Contexts and Controversies
    By Birgit Neumann, Juergen Kamm

    This collection offers an overview of British TV comedies, ranging from the beginnings of sitcoms in the 1950s to the current boom of 'Britcoms'.

  • The British Sitcom Spinoff Film
    By Stephen Glynn

    ... British Cinema in the 1970s . In B. Moore - Gilbert ( Ed . ) , The Arts in the 1970s : Cultural Closure ? Routledge . Hunt , L. ( 2008 ) . The League of Gentlemen . BFI . Hunt , L. ( 2013 ) . Cult British TV Comedy : From Reeves and ...

  • Race, Racism and Political Correctness in Comedy: A Psychoanalytic Exploration
    By Jack Black

    ... TV Series. BBC. Hancock's Half Hour. 1954–1960. TV Series. BBC. Hewison, R. 2014. Cultural Capital: The Rise and ... Cult British TV Comedy: From Reeves and Mortimer to Psychoville. Manchester: Manchester University Press. Jameson, F ...

  • Transnationalism and Genre Hybridity in New British Horror Cinema
    By Lindsey Decker

    As an intervention in conversations on transnationalism, film culture and genre theory, this book theorises transnational genre hybridity – combining tropes from foreign and domestic genres – as a way to think about films through a ...