Popularized by the hit television show, the phrase “breaking bad” is defined in urban slang as someone who challenges convention, defies authority, or rejects moral and social norms. Running from 2008 to 2013 on AMC, Breaking Bad featured one of the most unforgettable characters in television history: Walter White, a high school chemistry teacher, husband, and father, who is diagnosed with terminal cancer. For five seasons, fans watched as Walter White tried to secure financial security for his family by using his chemistry skills to manufacture drugs. Throughout the series’ run, Walter White was the epitome of the phrase “breaking bad”, as he broke the law and continually rejected the social mores that he had dutifully followed until his cancer diagnosis. Taking its cue from Walter White, this volume explores the various ways in which artists, patrons, and art historians throughout history have broken bad by defying authority, challenging convention, or rejecting the norm. For example, artists also sometimes break away from tradition by using unconventional iconography, as is the case in Chapter Two, which investigates how Etruscan tomb reliefs show mourning rather than celebration. The book also includes a chapter in which an art historian breaks bad by challenging the conventional interpretation and date of an object, thus eschewing tradition and defying authority. In this case, Chapter Three disputes the largely accepted Hellenistic date and interpretation of the Tazza Farnese, and instead asserts that the cameo must be Roman. Spanning the art of ancient Etruria to the twentieth century, the eight chapters here explore the theme of breaking bad from a variety of time periods and artistic media, from Etruscan mirrors and Roman cameos to Baroque portraits and Italian Pop Art. Scholars approach the topic of breaking bad from a number of perspectives, including examining the artist, patronage, reception, propaganda, iconography, methodology, and use.
"This volume traces a panorama, one never before observed, of the last century of Italian art within a 'global' framework, choosing that is, the most distanced and wide-ranging perspective in...
Published in two volumes, History of Italian Art provides a major history of Italian Art from antiquity to the present day.
Twentieth-century Italian Art
... Arts of Italy , edited by J. Fischer , 39-57 . Cambridge : Cambridge Scholars Publishing . Fischer , J. 2017. " Establishing an Augustan Date and Interpretation for the Tazza Farnese . " In Breaking with Convention in Italian Art ...
The Artist and the Book in Twentieth-century Italy
On Depero's embracement of capitalism, see Anthony White, Italian Modern Art in the Age of Fascism (London: Routledge, 2019), 20–65. 53. Fortunato Depero, “Il futurismo e l'arte pubblicitaria.,” in Fortunato Depero, Giovanni Gerbino, ...
About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work.
The history of Israel, as recorded in the Bible, appears as a similar dialogue between God and the nation and here Buber ... he had held staff and administrative posts in the First World War, had been a Conservative M.P. (1927–1935), ...
Italian Art and the Southern European Tradition
Here are presented two essays by one of the pioneers in the modern exploration of 16th century Italian art.