Films are not just for audiences: historians of the twentieth century have much to learn from them. A film exposes the attitudes and unconsidered trifles that people took for granted and which were not considered worth recording elsewhere. This volume surveys British cinema from the final days of the Second World War to the early 1970s, exploring societal change across a range of topics including housing, the countryside, psychiatry and the law. This provides a basis for cross-cultural comparisons, with many issues deserving of further research being highlighted. The films discussed range from the well-known Odd Man Out to the forgotten It’s Hard to be Good.
Film is increasingly engaging the attention of students of history at all levels.
In L'entre-images: Photo, cinéma, video, 327—87. Paris: La Différence, 1990. —. “(Not) Just an Other Filmmaker” InJean-Luc Godard: Son + Image, 1974—1991, edited by Raymond Bel— lour and Mary Lea Bandy, translated by Georgia Gur— rieri, ...
Film as History, History as Film
Fictional films tell true historical stories... Film and History is a compelling and unique overview of the cinema and its relationship with history, ranging from the ancient world to the...
The visual awareness promoted by this text has immediate application, in that students can begin to consider the impact of motion pictures (and television) on their own lives.
Written for both students and teachers, Film and History: - provides a concise, accessible introduction to the use of film in historical enquiry and a summary of the main theoretical debates - Charts the development of film history as a ...
Writing History in Film sets out the narratological, semiological, rhetorical, and philosophical bases for understanding how film can function as a form of historical interpretation and representation.
Essays that consider how classic movies have reflected history include the writings of such noted historians as Paul Fussell, Antonia Fraser, and Gore Vidal
This is the first book to analyze Ridley Scott’s film Gladiator from historical, cultural, and cinematic perspectives. The first systematic analysis of Ridley Scott’s film, Gladiator.
The first major overview of the field of film history in twenty years, this book offers a wide-ranging account of the methods, sources and approaches used by modern film historians.