Women in the Arts: Eccentric Essays in Music, Visual Arts, and Literature is a multi-disciplined celebration of past and present women creators. It marks a new departure in women’s studies, for it presents an interdisciplinary emphasis on the long-neglected area of women’s contributions to the various genres of the arts. Because of its unique historical approach, this pioneering collection of essays is useful in the areas of humanities and women’s studies as scholarly or pleasure readings. Many “firsts” are included in this anthology. There are chapters by three prominent award-winning living composers that discuss the plight of women in this male-dominated field and the pioneering contemporary innovations to the discipline of musical composition that women have contributed. Another chapter brings to light pioneering research on the names and musical compositions of the earliest women composers. Another gives historical evidence of the earliest documented women’s conservatory and its performers in the United States located in the Moravian Young Ladies’ Seminary in Antebellum Bethlehem, Pennsylvania. The chapter on the MacDowell Colony reveals the history of how Marian MacDowell and her network of women’s music clubs helped to build the MacDowell Colony, a haven for artists that has continued through the twenty-first century. In the visual arts, one essay brings forth visual representations of women’s subjugation; another analyzes the photographic innovations and historical work of the woman pioneer, Nellie Ladd; the artistic contributions of two women of color, Josephine Baker and Frida Kahlo, are contrasted in a historical perspective; and a fascinating historical analyses of women and tattoos is presented. In the area of literature, the “Potters” are celebrated for pioneering the first serial hand-made magazine in 1904; another writer, discusses how she represents the role of motherhood in her female characters; and arguments are presented of how women poets give voice to spiritual feminism. The thirteen diverse essays present original contributions to the disciplines of music, visual arts, and literature. By bringing forth this collection, it is hoped that there will be greater appreciation for the great diversity and range of women creators and the obstacles that they had to overcome. It is hoped that the essays will provide a historical documentation of the artistic voice of women that have until now been neglected.
... Luisa 74,123, 124 Thom, Paul 2 Thomas, Amboise 29 Thompson, Gordon 95 Thurman, Leon 66, 68, 88 Timberlake, Craig 9, 23, 37 Tinctoris, 165 Titze, ...
... by a full cycle per second, from 6.5 Hz (e.g., Enrico Caruso [Dejonckere et al., 1995]) to 5.5 Hz (e.g., Luciano Pavarotti [Keidar, Titze, & Timberlake ...
Timberlake, C. (1986). The 'pop' singer and the voice teacher (From the American Academy of Teachers of Singing). The NATSJournal, September/October, 21, ...
... Joseph C.95 Stendhal (Beyle, Henri) 31 Steptoe, Andrew 3, 175 Stevens, ... Gordon 95 Thurman, Leon 66, 68,88 Timberlake, Craig 9, 23, 37 Tinctoris, ...
... Camp Aesthetic: Advancing New Perspectives, edited by Bruce E. Drushel ... “Our Icons: Ourselves; Britney Spears, Justin Timberlake, Kevin Federline, ...
A Christmas Carol in Bethlehem is an adaptation of Dickens' classic 19th century English tale that places Scrooge in Bethlehem at the birth of Christ.
(Piano/Vocal/Guitar Artist Songbook). 16 tracks from Timberlake's 2018 album which debuted at the top of the Billboard 200 charts, including: Breeze off the Pond * Filthy * Flannel * The Hard Stuff * Hers * Higher Higher * Livin' off the ...
(Piano/Vocal/Guitar Artist Songbook).
(Piano/Vocal/Guitar Songbook). Matching folio to the infectious soundtrack of the 2016 DreamWorks film featuring songs by Justin Timberlake; Anna Kendrick; Zooey Deschanel; Gwen Stefani; Ariana Grande; Earth, Wind & Fire; and more!
2, footnote cites uvedale Price, An Essay on the Picturesque, as compared with the sublime and the beautiful, and, on the use of studying pictures for the purpose of improving real landscape (London: printed for J. Robson, 1794), p.