Creative Harmony is an advanced theory textbook by the famous American composer George Frederick McKay (1899-1970) whose music has been presented by conductors Leopold Stokowski, Sir Thomas Beecham, Leonard Slatkin, Arthur Fiedler, Howard Hanson, Karl Krueger, Frederick Fennell, Arthur Benjamin and John McLaughlin Williams. His students have won the Grammy Award, an Academy Award, The Pulitzer and the National Medal for the Arts, in addition to several Guggenheim Grants. Professor McKay also had several hundred of his works published and is currently recorded on several NAXOS CD recordings which receive extensive playings on radio channels and the internet. McKay developed encouraging and experiential teaching techniques over 4 decades of work at the University of Washington, Seattle, and was honored to be commissioned to compose the Seattle Centennial Symphony in 1951, which was performed and broadcast by the Seattle Symphony for the occasion.
In this dissertation, I examine the effect of harmonic distance - the extent to which a harmony is "closely" or "distantly" related to a context - on performance expression. Several...
Provides material for homework assignments, classroom demonstrations, and periodic reviews. A generous assortment of excerpts from the literature for assignments in analysis. Volume I corresponds with the first half of the text.
本书包括:丰富多彩的色彩性技法;平滑声部引导下的变音体系;有限的近现代和声技法三部分内容。
Rather than rote learning of concepts and memorizing terms, The Complete Musician emphasizes how theory informs the work of performers.
A clear and visually attractive layout as well as the use of section and subsection headings and lists where appropriate are essential aspects that contribute to the effective organization of this book.
AUTHOR'S FOOTNOTE FROM PAGE 25 Concerning his calculations , Dr. Robert Neumann has informed me as follows ( in part ) : As more and more of the possible combinations of our twelve tempered scale degrees are felt and used as harmony ...
Theory and Analysis of Classic Heavy Metal Harmony
This seminal work, originally published in 1932, posits the composer's methodology and usage of quarter tones as a harmonic language.Produced with the permission of Association Wyschnegradsky (Paris, France) and Wyschnegradsky's heir Dmitri ...
Its concise, one-volume format and flexible approach make the book usable in a broad range of theory curricula. The text provides students with a comprehensive but accessible and highly practical set of tools for the understanding of music.
Die theoretischen Werke