The treatment—and mistreatment—of women throughout history continues to be a necessary topic of discussion, in order for progress to be made and equality to be achieved. While current articles and books expose troubling truths of the gender divide, modern cinema continues to provide problematic depictions of such behavior—with a few heartening exceptions. The Encyclopedia of Sexism in American Films closely examines the many, pervasive forms of sexism in contemporary productions—from clueless comedies to superhero blockbusters. In more than 130 entries, this volume explores a number of cinematic grievances including: the objectification of women’s bodies the limited character types available for female performers the lack of sexual diversity on the screen the limited range of desirable traits for female performers the use of gratuitous sex the narrow focus on heteronormative depictions of courtship and romance The films discussed here include As Good as It Gets (1999), Beauty and The Beast (2017), The Devil Wears Prada (2006), Do the Right Thing (1989), Easy A (2010), The Forty-Year-Old Virgin (2005), Hidden Figures (2016), Lost in Translation (2003), Mulholland Drive (2001), Showgirls (1995), The Silence of the Lambs (1991), Star Wars (1977), Thelma & Louise (1991), Tootsie (1982), The Witches of Eastwick (1987), and 9 to 5 (1980). By digging deeply into more insidious forms of sexual/gender discrimination, this book illuminates one more aspect of women’s lives that deserves to be understood. Offering insights and analysis from more than fifty contributors, The Encyclopedia of Sexism in American Films will appeal to scholars of cinema, gender studies, women’s studies, and cultural history.
... Portrayals in American Film serves as something of a companion to The Encyclopedia of Sexism in American Films (2019) as well as The Encyclopedia of Racism in American Films (2018). All address inequity as depicted by and located in ...
On the Verge of Revolt: Women in American Films of the Fifties
Cuban cinema is recognized around the world as having produced some of the most celebrated works originating from Latin America—such as Fresa y Chocolate and La Muerte de un Burócrata—as well as many prominent artists—including ...
Dark Dreams 2.0: A Psychological History of the Modern Horror Film From the 1950s to the 21st Century. Jefferson, NC: McFarland. Ellis, Jonathan, and Ana M. Sánchez-Arce. 2011. “'The Unquiet Dead': Memories of the Spanish Civil War in ...
And yet the fine performances and sure handling of director John Schlesinger allow the brisk thriller to offer a probing commentary on how racist ideology motivates action and vengeance. ... Conversations with John Schlesinger.
Bibliography Carnes, Mark C. Secret Ritual and Manhood in Victorian America. New Haven, Conn.: Yale University Press, 1989. Clawson, Mary Ann. Constructing Brotherhood: Class, Gender, and Fraternalism.
J. E. Campbell, 'Alien(ating) Ideology and the American Media: Apprehending the Alien Image in Television through The X-Files', 36. 37. International Journal of Cultural Studies, ... Brown, They Know Us Better than We Know Ourselves, p.
The essays in this collection redress this situation by probing a wide range of topics within the field of popular culture studies.
In order to examine in particular the representation of women in the visual art of popular cinema, The Dominance of the Male Gaze in Hollywood Films will thus focus on the image of women in mainstream Hollywood films.
... Films of Lisandro Alonso, Edinburgh University Press, 2018), among others. Also forthcoming are multiple entries in various encyclopedias: The Encyclopedia of Racism in American ... Sexism in American Cinema (2018). Walid Romani is a PhD ...