The Castle of Otranto is a 1764 novel by Horace Walpole. It is generally regarded as the first gothic novel, initiating a literary genre which would become extremely popular in the later 18th and early 19th century, with authors such as Charles Maturin, Ann Radcliffe, Bram Stoker, Edgar Allan Poe and Daphne du Maurier
This edition of The Castle of Otranto by Horace Walpole features an eye-catching new cover design and is printed in a font that is both modern and readable.
Widely considered the first gothic novel, and indeed an initiator of the whole genre, The Castle of Otranto is a 1764 novel by Horace Walpole. It tells the tale of the lord of a castle, Manfred, and his family.
Also included is Sir Walter Scott’s introduction to the 1811 edition of The Castle of Otranto. This Broadview edition pairs the first Gothic novel with the first Gothic drama, both by Horace Walpole.
Walpole gives us a series of catastrophes, ghostly interventions, revelations of identity, and exciting contexts. Emma Clery's new introduction and notes make this the definitive edition.
After introducing the authors I will concentrate on the novels and how women are described and presented. Which role do they play in the three novels? Is there something special about each woman in the texts?
Manfred, the lord of the castle of Otranto, has long lived in dread of an ancient prophecy: it's foretold that when his family line ends, the true owner of the castle will appear and claim it.
This collection illustrates the range and the attraction of the Gothic novel. Extreme and sensational, each of the four printed here is also a powerful psychological story of isolation and monomania.
The book begins on the wedding-day of his sickly son Conrad and princess Isabella. Shortly before the wedding, however, Conrad is crushed to death by a gigantic helmet that falls on him from above.
I want to examine the features of the Gothic sublime: what was new and different about it? how is this reflected in the novel?; in order to prove the importance of Walpole ́s work.
The novel merged medievalism and terror in a style that has endured ever since. The aesthetics of the book shaped modern-day gothic books, films, art, music and the goth subculture